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MojoJun 22, 2022His singing, always restrained, is so low-key that it risks losing the listener's attention, but the playing supplies the feeling. [Aug 2022, p.95]
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UncutJun 22, 2022Mixing classic covers (Big Joe Williams’ “Crawling King Snake”, Charlie Patton’s “Pea Vine Blues”) with his ‘new’ compositions, lyrical advances into commonplace blues melodies like “When The Frisco Left the Shed”, there’s timelessness in every note here, every expression. [Jul 2022, p.29]
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Jun 22, 2022Mississippi Son is an unromanticized testament to living the blues and sounds like it came from the soil. As such, it's a late-period masterpiece.