Monoliths & Dimensions Image

Universal acclaim - based on 16 Critics What's this?

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Generally favorable reviews- based on 77 Ratings

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  • Summary: The metal band worked with composer Eyvind Kang on its seventh album, which features Australian guitar player Oren Ambarchi, vocalists Attila Csihar, Jessika Kenney, Earth's Dylan Carlson, and trombonists Julian Priester and Stuart Dempster as guest artists.
Score distribution:
  1. Positive: 16 out of 16
  2. Mixed: 0 out of 16
  3. Negative: 0 out of 16
  1. For anyone interested in music that works both as art and an intensely new exciting experience--this is easily the best album that has come out this year.
  2. It seems to have brought a band who had so long mired itself in total darkness into the cleansing light of day, and in both cases, the results are awe-inspiring.
  3. Monoliths & Dimensions, present O’Malley and Anderson’s sonic murk as something to delve into, their inescapable walls of low-end suddenly beaming with purpose and a million and one instruments.
  4. With nearly three dozen guest musicians chipping in, the aptly titled Monoliths and Dimensions is far and away the band’s most ambitious project to date, but typically, the many guest contributions are so subtly performed and arranged, not to mention entirely in keeping with O’Malley’s and Anderson’s collective vision, that we hardly notice.
  5. 80
    Their seventh LP is a(nother) case of "none more black," but 'Big Church'--in which a Viennese women's choir provides the counter to crushing, sustained chords are striking departures from Sunn)))'s awesome canon. [Jun 2009, p.103]
  6. Monoliths and Dimensions is a bold step forward and bodes well for Sunn 0)))’s future relevance as not just musicians, but honest-to-god composers.
  7. 70
    Well known as purveyors of viscous guitar sludge, the duo of Stephen O'Malley and Greg Anderson expand their ambitions and make some startling jazz-ensemble noises on their seventh album.

See all 16 Critic Reviews

Score distribution:
  1. Positive: 27 out of 44
  2. Negative: 15 out of 44
  1. Jul 3, 2012
    I'm genuinely baffled by the people who say there's no progression in the songs. 'Alice' starts off with a creeping, slow guitar riff and ends with a wailing horn... How are they the same thing? This is music that requires focus, attention, and an appreciation of where it's come from and what it's trying to do. That can take years to accomplish. I first came to Sunn O))) ten years ago and couldn't stand them. Now I've gone back, having seen them live and buying a sound system that can almost manage the low-end layers, and it all makes sense. It's not pretentious, it's not "just art" (whatever the hell that means), it's a form of music that asks more of its audience than other styles, and creates atmospheres that most other bands would struggle to begin to understand.

    And if you think you could make money by sticking a mic by a washing machine and distorting the effects for 30 minutes, just **** do it and get some money so that you'll hopefully feel less of a need to act like a moron. You're like the children who stand before a Picasso and say it's "just splatters of paint". If you don't get it, you don't get it, but don't broadcast your ignorance like it's an achievement.
  2. Oct 1, 2010
    every aspect of this album is brilliant. I'm usually not a huge drone fan but the massive amount of elements and huge atmosphere won me over. Insanely good. Expand
  3. Mar 17, 2014
    my opinion, a very good listen when you can completely devote the time to do nothing else. I am only going to give 2 stars just because I prefer to experience a record like this live. Playing this in the home, on headphones, in the car, etc. is going to do absolutely nothing for me. Expand
  4. Oct 1, 2011
    Clearly 35% of the users reviewing here don't see the trolling involved here.

    But here, an honest review:
    The album has very little variation
    WHATSOEVER. I have listened to drone before, some I like, some I do not. While I may not be the biggest audiophile out there, I definitely do not believe there is any change in sound at all. The vocals..? Let's just not get into that, because they are obvious ****

    I imagine the whole album is a gigantic troll, but then again, there are some incredibly stupid people in this world.

    PS: If you are interested in something happening, go to Alice - 12:00 mark.

See all 44 User Reviews

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