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Mother of Curses feels suffocating: it’s experimental but constrained and bleak but not humanistic or relatable.
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Crafting art-house meanderings that rock turns out to be the easy part. It's sticking the landing that's hard, and no matter how much D. Rider twists, turns and tumbles in midair, they're just not there yet.
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Demanding, absorbing, and, for better or worse, never feeling like a cohesive album, Mother of Curses is a collection of shocking truths set to stun the senses.