- Critic score
- Publication
- By date
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This is one of Ladd's most accomplished albums to date, proving once again that he's one of the most forward-thinking artists around.
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Each of Ladd's compositions are moody yet ethereal.
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Its best moments are stellar and exhilarating.
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Some moments are exciting, but overall it's a bit cluttered.
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The WireLadd's eclectic and downbeat montage of samples creates a rootless soundscape, seemingly geographically transient, restless, impatient and unsettling. It is the perfect backdrop for Ladd's soul-searching reflexes and rants. [#251, p.54]
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Instantly enjoyable.
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Ladd’s drive and focus throughout the entire album keeps the listener’s ear, as each moment is unexpected, even after multiple listens.
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UrbIt's hugely ambitious, and yet also perhaps Ladd's most focused record yet. [Mar 2005, p.112]
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Ladd's band... cooks this tangle of worry and dada to perfection.
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New Musical Express (NME)Reek[s] of overt smugness and wilful obliqueness. [16 Apr 2005, p.51]
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MojoA workout for both mind and soul. [Jun 2005, p.97]
User score distribution:
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Positive: 4 out of 5
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Mixed: 0 out of 5
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Negative: 1 out of 5
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NkengeZSep 10, 2005Yi-eeeehhhh!
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DanielMar 15, 2005
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AlanRFeb 8, 2005Makes 50 Cent and those money grubbing biitches appear as juvenille and fake as they really are.