- Critic score
- Publication
- By date
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Apr 6, 2011To fans it'll undoubtedly shine as their best record yet, while the uninitiated may be about to find their new favourite band.
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Kerrang!Apr 5, 2011Less encouraging is that while the album is unmistakably brutal, it's also remarkably unmemorable. [2 Apr 2011, p.52]
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Jan 10, 2011That framework [on 2008′s Lost in the Sound of Separation] is largely in tact on the new effort, except it's decidedly richer and more vibrant, showcasing each member's strengths in ways not realized before in Underoath's decade-old career.
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Dec 2, 2010By using the lineup shift as a chance to explore different terrain-namely, eschewing pop choruses and traditional vocals-Underoath's sprawling, at-times disquieting music is newly realized.
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Nov 15, 2010Darker and more immersive than previous outings, Underoath treads familiar ground, though each step holds the promise of a land mine.
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Nov 12, 2010Disambiguation clearly shows that Underoath are still very much the same well oiled machine that brought us Define the Great Line back in 2006 when they firmly established themselves as the kings of the scene, even if that title is somewhat constricting and misleading as their music transcends its given tags and connects with their fanbase at a deeper level, regardless of belief structure.
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Nov 8, 2010The elements of the band complement each other instead of over-powering, thus making Ø (Disambiguation) brutally beautiful and instantly memorable.
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Alternative PressNov 8, 2010O (Disambiguation) is the first Underoath album in years that you'll walk away humming--even as you pick shrapnel out of your ears. [Dec 2010, p.118]
Awards & Rankings
User score distribution:
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Positive: 19 out of 23
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Mixed: 2 out of 23
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Negative: 2 out of 23
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Jan 5, 2011
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Nov 12, 2010
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Dec 21, 2021