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The Cambridge collective employs its considerable--and considerably appealing--strengths with gleeful assurance. Euphoric cross-hatched harmonies; gobs of fuzzy, low-end guitars; and various embellishments (mellotron, organ, Casio synth guitar, etc.) make the whole shebang sound like one big, loopy carousel ride at a cracked carnival.
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Drug Rug have allowed a bit of the drawl of their early work to carry over here, and even when they're playing it fairly straight, there's something slightly twisted about their melodies.
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At more than five minutes, 'Noah's Rules' is the longest song on Paint the Fence Invisible, symptomatic of the album’s most crucial problems: too much and, simultaneously and somewhat paradoxically, much too little.