User Score
Universal acclaim- based on 1361 Ratings
User score distribution:
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Positive: 1,216 out of 1361
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Mixed: 40 out of 1361
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Negative: 105 out of 1361
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Aug 25, 2022Blissful,hypnotic and timeless are common descriptors for Lana's kusic but never have they been as amot as they are on this rroaxing and beautiful extended play.
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Sep 5, 2019This album is a slight step up from her last album with her actually addressing her lack of need for depression. Although she seems stuck in weird lolita fantasies that take away from her message.
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Nov 17, 2013Paradise is a very cohesive album and is well conceived and executed to Lana’s general standards. It is however evident that the general basisis for this album is her desire for the good-ol’ days of American culture. Ironically her wishy-washy slick pop approach makes me think that if this is what America was than it is wonderful that it has evolved.
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Jul 17, 2017it was okay............................................................................................................................................................
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Jul 29, 2014Two extremes coexist in this EP: sublime ballads like Ride and American, and disgusting and extremely complicated tracks that don't have a clear purpose in the whole package. The result? A large plethora containing everything and -at the same time- nothing.
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Apr 30, 2017Del Rey is far from a great singer, and her songs tend to drag. But her shtick--1950s torch balladry spiced with sexed-up 21st-century provocation--is at least conceptually sharp.
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Dec 8, 2013I bought her album Born to Die with high hopes. I was not let down. I bought Paradise, and I was let down. All of the songs sound the same, and there is nothing exciting about it. I love Lana, but this is definitely not her at her best.
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Dec 7, 2022
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Aug 31, 2019Here are the most touched and the most iconic lyrics of Lana Del Rey in this album. She did no better than the first album, but did more in the next one. It is a pity that Paradise is just one EP, and still has fillers.
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Jul 25, 2017Una extensión de Born To Die, donde las únicas canciones que me gustaron fueron la increíble Ride, Gods and monsters y el adecuado cover de Blue Velvet.
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May 6, 2017
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Nov 16, 2012
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Nov 15, 2012Very draggy album, once you hear curse words it sparks the album up a little bit. Very good nonetheless. I thought we'd see a much diffident side from her but we still go slow low notes.
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Nov 15, 2012
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Jan 2, 2013Born to Die's highlights are both slightly more numerous and slightly more effective--but it's still a very strong, successful record, whether taken as an addition or a follow-up.
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Entertainment WeeklyNov 21, 2012Though she makes a few knowingly meta nods to her own rep, Paradise leans too hard on the same tired drowsy-Lolita poses. [23 Nov 2012, p.70]
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Nov 20, 2012Once you accept that Lana knows exactly what she's doing--that she, not Interscope Records or any of her co-producers, is the architect behind this R-rated retro-pop fantasy--then maybe you'll start loving her, too.