Metascore
66

Generally favorable reviews - based on 6 Critic Reviews

Critic score distribution:
  1. Positive: 3 out of 6
  2. Negative: 0 out of 6
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  1. Aug 28, 2015
    70
    For the most part, Silicon works, delivering strange sonic pop candy that feels a bit too distant to warm the heart, yet is strangely comforting in its isolation.
  2. Aug 26, 2015
    60
    It's often a little too wacky and silly for its own good, but overall Personal Computer is a fun collection of weirdo funk pop.
  3. Aug 26, 2015
    60
    There’s no doubt that his first LP as Silicon is the work of a talented multi-instrumentalist and songwriter, one who will only go from strength to strength. It may suffer from some of the falsity it wishes to expose, and it may be a little too pessimistic in its outlook, but it melds its diverse influences into tightly composed songs fit for the 21st century.
  4. Q Magazine
    Aug 26, 2015
    60
    The only disappointment that, at barely half-an-hour, there isn't a bit more of it. [Oct 2015, p.113]
  5. 70
    Yet although it lasts barely half an hour, it feels as if the album doesn't quite cohere into a convincing whole, and that the first half's captivating energy is lost amidst one too many hazy, half-formed slow jams later on. Even so, a hugely promising debut.
  6. Aug 26, 2015
    70
    With only ten tracks, half of which are under three minutes long, Personal Computer feels just a few bits short of a byte and you may well find yourself moving straight onto Unknown Mortal Orchestra's back catalogue just to get some closure.
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No user score yet- Awaiting 1 more rating

User score distribution:
  1. Positive: 3 out of 3
  2. Mixed: 0 out of 3
  3. Negative: 0 out of 3
  1. Sep 20, 2016
    9
    The perfect amount of weird makes this jazzy, retro-electro pop record succeed. With lyrics revolving around a technologically obsessedThe perfect amount of weird makes this jazzy, retro-electro pop record succeed. With lyrics revolving around a technologically obsessed society and a minimalistic cover reflecting Nielsen's recent foray into art.
    The jazz imbued synths and near-falsetto vocals remind me of Shamir, but with a pretty "dead" voice.
    Kody's voice is devoid of feeling, and that actually works well as the tracks such as "Personal Computer" when he croons on about technology replacing human friends.
    A hilarious interlude and mellow closer further contribute to filling the only hole on this LP, it's length.
    At 10 songs, with half of them under 3 minutes (and the rest barely crossing that line) I was left unsatisfied and turned to his other albums under different alibis, and I was by how crazy he was at mint chick shows compared with his muted performance here.

    So, a wonderfully strange debut, just a little on the short side...
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