• Record Label: Columbia
  • Release Date: May 21, 2013
User Score
8.4

Universal acclaim- based on 1206 Ratings

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  1. Dec 20, 2021
    8
    Dazzling 80's synth masterpiece in a catalogue overwhelmed with career best. Equally pop and experimental it delivers a fulfilling sometimes obscure journey through a night disco you never want to end. It doesn't reach new heights or push boundaries for the duo but rather shows off what they've mastered throughout these years cementing them not jist as icons in their genre but in music in general.
  2. May 25, 2013
    9
    Daft Punk effortlessly opt for a more organic instrumental sound, leaving the synthesizers, for the most part, out of it. This is by far the best thing the robots could've done. To show that they can create meaningful and ambitious music using actual instruments not only proves that they are legendary, but still the pioneers of dance music. The 70's, 80's, disco, and new wave influencesDaft Punk effortlessly opt for a more organic instrumental sound, leaving the synthesizers, for the most part, out of it. This is by far the best thing the robots could've done. To show that they can create meaningful and ambitious music using actual instruments not only proves that they are legendary, but still the pioneers of dance music. The 70's, 80's, disco, and new wave influences flourish throughout the whole record. Each collaboration brings life into the album, but it is Daft Punk who shine the most. No one track are the same, in fact every track holds their own and fit perfectly in this album.

    All In All, Random Access Memories is the album we deserve after the disappointingly awful Human After All. Daft Punk have finally crafted a huge record, one that will stand the test of time. A modern classic. A-
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  3. j30
    Aug 19, 2013
    10
    It is hard to believe that Daft Punk's last official album came out 8 years ago (2005's Human After All) and they haven't lost a beat. With everyone from Britney Spears to Lady Gaga going to more of an electronic sound in their music, Daft Punk's record couldn't have come at a better time. They decided to record most of the album with real instruments with the help of the excellentIt is hard to believe that Daft Punk's last official album came out 8 years ago (2005's Human After All) and they haven't lost a beat. With everyone from Britney Spears to Lady Gaga going to more of an electronic sound in their music, Daft Punk's record couldn't have come at a better time. They decided to record most of the album with real instruments with the help of the excellent guitarist Niles Rogers. EDM rarely challenges their listeners as much Daft Punk's RAM does, and is rarely as rewarding. Expand
  4. Aug 27, 2013
    10
    Regardless of your stance over Daft Punk’s previous albums, I can hardly think of anyone not liking Random Access Memories. The French duo decided to leave their typical electronic sound and create a more nostalgic and funky vibe that’s also heavier on vocals. Featuring a lot of surprising feature guests (not always in the singing business, of course) such as The Strokes’ JulianRegardless of your stance over Daft Punk’s previous albums, I can hardly think of anyone not liking Random Access Memories. The French duo decided to leave their typical electronic sound and create a more nostalgic and funky vibe that’s also heavier on vocals. Featuring a lot of surprising feature guests (not always in the singing business, of course) such as The Strokes’ Julian Casablancas or septuagenarian singer-songwriter Paul Williams, their fourth album is actually their best, in my opinion. Discovery was amazing, but their newest record just touches so much more layers and combines a multitude of different styles in 13 unique tracks. From sad love songs like “Within” or “Instant Love” over disco gems as “Get Lucky” or “Doin’ It Right” to the unforgettable epics “Touch” and “Giorgio By Moroder”, Random Access Memories presents everything that makes electronic dance music such a great genre. Expand
  5. Mar 24, 2014
    10
    Random Access Memories seems to look back on all the artists previous work, and mash it all together, whilst also adding in something far more creative and innovative. Access Memories is indeed a long album, but each and every single track on this album shines out and pulls you straight into the disco-techy void that this touching, exciting, steaming with adventure album in fact is. ThereRandom Access Memories seems to look back on all the artists previous work, and mash it all together, whilst also adding in something far more creative and innovative. Access Memories is indeed a long album, but each and every single track on this album shines out and pulls you straight into the disco-techy void that this touching, exciting, steaming with adventure album in fact is. There won't be another dance album like this for a while, no doubt. Expand
  6. Aug 15, 2013
    8
    Hype is a very interesting tool in today's music scene, since it can either make or kill an album. And Daft Punk had possibly the most buzzed about & hyped album of this decade with Random Access Memories. For the record while I'm not exactly a lifelong fan of Daft Punk, I at least made sure to listen to Homework before going into this album. And honestly, despite some great tracks, itHype is a very interesting tool in today's music scene, since it can either make or kill an album. And Daft Punk had possibly the most buzzed about & hyped album of this decade with Random Access Memories. For the record while I'm not exactly a lifelong fan of Daft Punk, I at least made sure to listen to Homework before going into this album. And honestly, despite some great tracks, it didn't stick with me very much. Luckily RAM didn't have a similar underwhelming affect on me, mainly because it takes so many chances, and I was really impressed with it. You can just tell that throughout the making of this project they didn't give even a quarter of an ounce of a crap what their more closed-minded fans would think about such a radical change in style, which is always something I respect in an artist. Even though they might've put a guitar in here & there on their past stuff, here a good majority of the instrumentation is live. Included here are funky disco songs, beautiful piano ballads & weird progressive electro-jazz-rock-fusion... things. And the best part is that it wasn't just a case of throwing everything on the wall & seeing what sticks, but rather you can tell how much work was put into each track, and nearly every song has some earworm hook to draw you into the madness.

    Another aspect of this experimentation is the numerous collaborators & guest musicians featured here. Of course everyone already knows the song of the summer “Get Lucky” with Pharrell & Nile Rodgers, and to a lesser extent “Lose Yourself to Dance” with the same genre & lineup. But other notable people here include Giorgio Moroder doing an interesting storytelling monologue over the fantastic string/synth-tinged prog-rock instrumental “Giorgio by Moroder”, Todd Edwards on the charming good-time soft rock tune “Fragments of Time” (which I'm catching a bit of Steely Dan influence from), Panda Bear on “Doin' It Right”, a smooth dance track that he fits on a lot better than I was expecting, and my personal favorite Julian Casablancas of The Strokes on “Instant Crush”, which between the infectious poppy hooks, sincere & believable lyrics, and great pseudo-funk groove, basically encapsulates everything I love about this album.

    The trademark vocoders fit well with their general musical style & really works in creating a lot of these earworm hooks that repeat over & over throughout a track, but in a way that doesn't get grating & almost feels like just another instrument. However, on the more emotional tracks that use it like “The Game of Love” or “Within”, they serve a different purpose, using the presumably emotionless android personas to, in a way, emphasize the emotional impact of the lyrics. It sounds a bit goofy on paper but ends up working really well, especially for a track like “The Game of Love” that might otherwise come off cliché & phoned-in. And the album ends on an extremely climactic note with “Contact”, an expertly constructed electronic instrumental that builds & builds over with more & more melodies & an increasingly intense noise in the foreground until it explodes & dies down in the last minute. As for complaints, they aren't exactly long enough to have their own paragraph, but there's a couple. For example “Touch” with Paul Williams is for the most part a great 8-minute epic that transitions from electro to jazz fusion throughout, with a well-executed & vulnerable vocal part from Williams. The problem is the laughable, corny & vocoder-infested 2-minute intro that sounds like they sampled it from a bad 70's sci-fi flick. Also there's a couple underwhelming guestless tracks in the middle of the album “Beyond” & “Motherboard” that really do nothing but slow down the momentum & push RAM past the 70-minute mark, which definitely didn't need to happen. And same goes for the bonus track “Horizon”.

    So did RAM live up to the hype? Not entirely. It's not some musical revolution that'll change the way we all think about art & life itself for eons to come like some people were making it out to be. But that doesn't mean it's not worth listening to. In fact I'd very highly recommend it to anyone who has eclectic tastes & loves experimentation in multiple genres as well as just a great earworm hook with a feel-good groove to it. And these days, with popular dance music being a bit more robotic & lifeless, the mainstream needs an album like this to, well, give life back to music. Ironic considering this is an album by a couple of robots.

    Top 5 tracks: Instant Crush, Get Lucky, Contact, Doin' It Right, Give Life Back to Music
    Score: 85/100
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  7. Apr 10, 2021
    8
    this album is a 8 this album is a 8 this album is a 8 this album is a 8 this album is a 8
  8. Jul 19, 2023
    9
    Review só pra lembrar a nota que eu dei pro album:
    album mt bom, agora só escrever pra passar dos 75 caracteres.
  9. Oct 13, 2013
    9
    Random Access Memories can easily be described as Daft Punk's finest material to date and one of the most memorable moments of 2013. The lead single, "Get Lucky", was a summer smash and could be considered a contender for being one of the finest pop songs of the 2010s thus far. Although its 70s disco and funk throwbacks might not charm all audiences, it's certainly a welcoming album toRandom Access Memories can easily be described as Daft Punk's finest material to date and one of the most memorable moments of 2013. The lead single, "Get Lucky", was a summer smash and could be considered a contender for being one of the finest pop songs of the 2010s thus far. Although its 70s disco and funk throwbacks might not charm all audiences, it's certainly a welcoming album to anyone even remotely interested in escaping the electro craze that's done nothing but dominate the top 40 in recent years. The vocoders have since become their signature sound, but are more than welcoming in the opening four tracks "Give Life Back to Music", "The Game of Love", and the 'robo-gloom' ballad "Within", which both alienate younger audiences whilst still remaining the listeners in their comfort zone. "Giorgio by Moroder" magnificently narrates listeners through the process of becoming a musician whilst "Instant Crush", featuring The Strokes' lead singer Julian Casablancas, somehow manages to channel the same melody found in the Christmas classic "Last Christmas" and could easily make it into the soundtracks of the duo's punk fans. "Doin' It Right" channels late-70s synthpop and sends euphoric chills into listeners through its mesmerizing use of the vocoder and Panda Bear's effortless vocals. Overall, the album may be overhyped in the media and some may not fall for its worldwide charm, but RAM honestly earns all the hype its given and has the charm to make its way into about every listener's iTunes. The hiatus may have seemingly lasted forever, but it was damn sure worth the wait. Expand
  10. Jul 24, 2018
    8
    Random Access Memories sounds really, really good. The combination of live instrumentation and electronic music works effortlessly throughout the entire album. Music-wise, nearly every song is great. "Giorgio" sounds really, really great, and the story told in the song is fascinating. It's a great song. "Crush" sounds great, and I keep coming back to it. "Touch" is very interesting,Random Access Memories sounds really, really good. The combination of live instrumentation and electronic music works effortlessly throughout the entire album. Music-wise, nearly every song is great. "Giorgio" sounds really, really great, and the story told in the song is fascinating. It's a great song. "Crush" sounds great, and I keep coming back to it. "Touch" is very interesting, original, and well-made. It's utterly entertaining and successful. "Beyond" has fantastic, cinematic opening music that's easily one of the best moments of RAM. "Time" and "Right" have great music and vocals. The final song has vast, impressive music.

    Lyrically, RAM isn't much. Most of the lyrics are shallow and artificial. "Lose Yourself," "Lucky," and "Right" have dull, shallow lyrics about partying and sex. Still, RAM is one of the most entertaining and well-crafted electronic albums ever created.
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  11. Jun 8, 2020
    7
    I listened to the whole album and I think it's OK. It did gives me lots of disco vibes and it brings me back to the 80s. (although I wasn't born in the 80s, I was born in 2003 LOL). Anyway I think I like this album. But I don't understand why this album won over Red by Taylor Swift at the Grammys, which at the end, as considered one of the best albums of the decade of 2010s.
  12. Aug 9, 2016
    9
    9.5 nine point five
    zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz
  13. May 21, 2013
    9
    After 3 years of silence, the noise has finally returned. The rightful kings of EDM (Electronic-Dance Music) are back and in full swing with their new album. The tracks ooze through the speakers with such magnificence, you will have to brace yourself to endure the exhilarating experience. The songs intertwine together, tied tightly together with a bow, and handed to you to open and enjoy.After 3 years of silence, the noise has finally returned. The rightful kings of EDM (Electronic-Dance Music) are back and in full swing with their new album. The tracks ooze through the speakers with such magnificence, you will have to brace yourself to endure the exhilarating experience. The songs intertwine together, tied tightly together with a bow, and handed to you to open and enjoy. I must say that Daft Punk may have lost some of their electronic side in the transition period, but those are minor details. It seems as if comparing Human After All with Random Access Memories is like comparing apples to oranges. Yes, they're both fruits, but they're nothing alike.

    Even from the beginning, Daft Punk make their message clear. They are trying to "Give Life Back To Music". They, unlike all pop music today, have emotion. They have rhythm and soul. So, maybe these cold, metallic robots do have hearts after all. They seem to show love and want to spread it with their music. The feel good tracks such as "Get Lucky" and "Lose Yourself To Dance" get their audience into a hypnotic state of being, mesmerized by the entrancing beats. One song in particular caught my attention. The track "The Game of Love" is a heart-wrenching masterpiece with a similar feel to "Something About Us" from Discovery. This lyrics, despite being distorted by a robotic voice, express a deep lamentation and exclamation of love.

    The first half of the album is flawless. The songs are smooth and errorless. When you slowly transition into the second half, it seems as though the songs become more ambient. They would be perfect if they were played in the background of a party, but not as frontline tracks. I'm not saying that they are bad tracks, but they lack the emotion and funkiness that is set-up in the first half. However, I am slightly disappointed with "Doin' It Right". This track features the genius vocalist/drummer Noah Lennox (or better known as Panda Bear). He is a member of one of my favourite bands, Animal Collective, and has made a splash in the electronic spectrum. I figured that the rhythm behind Animal Collective would create a heavenly collaboration with two electronic gods. I was sadly mistaken when I heard the lack-lustre track. It's not all bad, but I really expected something with a little more "oomph".

    Despite a few minor setbacks, Daft Punk have created one of the most enjoyable albums this year and continue to surprise us with new tricks up their sleeves.
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  14. Dec 1, 2020
    9
    Альбом собраный, стильный, с свежим EDM звучанием. Некоторые из песен абсолютно гениальные, однако, всеми любимый Get Lucky и Lose Yourself to Dance явно слабейшие песни с альбома. Больше всего впечатлили Instant Crush, Touch. НО, и это большое НО. После их последнего альбома этот альбом - шедевр.Альбом собраный, стильный, с свежим EDM звучанием. Некоторые из песен абсолютно гениальные, однако, всеми любимый Get Lucky и Lose Yourself to Dance явно слабейшие песни с альбома. Больше всего впечатлили Instant Crush, Touch. НО, и это большое НО. После их последнего альбома этот альбом - шедевр.
  15. Jun 13, 2013
    7
    I'm usually not in to the roboty techno stuff, but this was pretty okay. Daft Punk on my terms was pretty trash up until this album. One of my least favorite songs is Around the World, but then again Lose Yourself to Dance is now one of my favorites. This album has a strange old school vibe to it that most people in there right minds would enjoy. And this album was really a "happy" releaseI'm usually not in to the roboty techno stuff, but this was pretty okay. Daft Punk on my terms was pretty trash up until this album. One of my least favorite songs is Around the World, but then again Lose Yourself to Dance is now one of my favorites. This album has a strange old school vibe to it that most people in there right minds would enjoy. And this album was really a "happy" release and a good one to keep my hopes in today's music to a maximum. Expand
  16. May 22, 2013
    10
    Finally, Daft Punk has made him do. It was impossible to have even more excitement to hear his new material after so long in silence.
    It is impossible for any human being on this planet does not know that his new album, Random Access Memories. In this music are more organic personality, something that computers do not give them. The bases of disco can be repeated again and again, as in
    Finally, Daft Punk has made him do. It was impossible to have even more excitement to hear his new material after so long in silence.
    It is impossible for any human being on this planet does not know that his new album, Random Access Memories. In this music are more organic personality, something that computers do not give them. The bases of disco can be repeated again and again, as in Get Lucky, as if they were samples. The funny thing is that it is the most anticipated album of recent times but is full of songs that you would expect to hear anything from the discography of Daft Punk. Each song has its own personality that resembles the previous or the next. The album will surprise you from the beginning, but once you get listening to it, does get you, maybe they disagree with me, but I do notice a big difference in your sound and now that his previous work. Metamúsica is a tribute to the music of the 70s and early 80s. We discovered other Daft Punk, not what we expected, we knew not, but equally amazing and transgressors. I know I said the album Bring Me The Horizon, "Sempiternal" was the album of the year, but Daft Punk achievement far surpass that album.
    so for now, this is the album of the year.
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  17. Aug 22, 2014
    10
    Gets all a bit bloated sometimes. It is a great CD, the greatest of last year, just flawed. "Touch" should've been a single. And "Lose Yourself to Dance" is mediocre.
  18. Sep 1, 2013
    10
    Back in the '90s Dance music was a big genre thanks two robots in suits named Daft Punk, With their album "Homework" and several Eps that they released. Once the 2000's hit their single "One More Time" became their biggest hit to date, it also helped thanks to Anime inspired music videos for their album "Discovery" and throughout the rest of those twelve years they performed at severalBack in the '90s Dance music was a big genre thanks two robots in suits named Daft Punk, With their album "Homework" and several Eps that they released. Once the 2000's hit their single "One More Time" became their biggest hit to date, it also helped thanks to Anime inspired music videos for their album "Discovery" and throughout the rest of those twelve years they performed at several concerts and were responsible for the soundtrack to "Tron Legacy" but not much has progressed for their career. Now it's 2013 and Daft Punk releases their long awaited new album "Random Access Memories" which is being called "The Best album of the year" and that quote my friends is from me. This album defines the words "Good Music" but instead of good it's Masterful, it's so different, so special, and is something that will bring Daft Punk to the top of the charts. First off "Random Access Memories" has it's own story to tell, as it's about the Love for Music going back to what music was really about, it may feel dated for the short minded, but for people who love the art of music, it's extremely rewarding listening to these tracks. The opening track "Give Life Back to Music" is one of the best openings for an album this year next to Justin Timberlake's "Pusher Love Girl" for his album "The 20/20 Experience" and the album continues on with "The Game of Love" and more tracks that all tell an amazing story about music. One of the best songs on here is "Giorgio by Moroder" which is a mix of commentary and just simple strings and a synthesizer and it's such an beautiful song. A lot of the sounds here are very '70s Disco like and is different from today's Electronic music which was inspired by earlier songs by Daft Punk, it's great to see Punk's music changing by not being like every song out there, while still staying fun to listen to. Guest appearances include Pharrell, Panda Bear, and Paul Williams and although it's not earth shatteringly amazing, it's still fine appearances and it provides more depth to the songs they appear on. The album is thirteen song long, but it never becomes boring for all the 74 minutes it delivers. Overall, there's not much else I can say about "Random Access Memories" but that it's one of the most heartfelt pieces of work I've seen in sometime, and is worth listening for anyone who just loves music in general. Expand
  19. Sep 24, 2015
    7
    While grossly overrated, Random Access Memories is still a good album with many high points, but also suffers from a bloated ego that doesn't seem like the same duo that made Homework and Discovery. Though, "Within" and "Contact" are strokes of pure genius.
  20. May 21, 2013
    7
    When I first listened to Random Access Memories, I had a blast. Sure, there were a few tracks I didn't like, but I enjoyed a damn good portion of it, and after spinning it a few times, I realized that I didn't care about it anymore. Daft Punk's homage to 70's disco, jazz fusion and soft rock is an interesting direction to choose, but it's only meant to be loved once.
  21. May 21, 2013
    10
    The hype this album had did not disappoint me. It was totally worth the wait. With epic pop songs like "Get Lucky" and "Instant Crush", this perfectly crafted masterpiece takes you to beautiful deep moments with "Within" and makes you want to shake your body with "Lose Yourself to Dance". "Give Life Back to Music" works as the perfect opener for this album and "Contact"... Guess what? TheThe hype this album had did not disappoint me. It was totally worth the wait. With epic pop songs like "Get Lucky" and "Instant Crush", this perfectly crafted masterpiece takes you to beautiful deep moments with "Within" and makes you want to shake your body with "Lose Yourself to Dance". "Give Life Back to Music" works as the perfect opener for this album and "Contact"... Guess what? The perfect ending. A huge epic ending.
    "Giorgio by Moroder" is a smart lengthy track that takes you into a trip inside Giorgio's musical life and, along with "Touch", is diverse and full of changes. "Fragments of Time" completes the album with its wonderful smooth ballad that leads us to "Doin' It Right", an excellent contribution with Panda Bear. This is one of those rare masterpieces that deserve the highest score possible. All the contributions here are magical: Pharrell Williams (tracks 6 and 8), Julian Casablancas (track 5) and Chilly Gonzales (track 4), just to name a few.
    Right away, from the first listen, you can tell that lots of time, dedication and love for music were put into this record. And the result... Well. let the numbers speak for itself.
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  22. Jun 5, 2016
    10
    My Oh My!. Daft Punk is my favourite electronic duo and this album represents who Daft Punk are. Not just one or two songs are the best. But every single song on this album are just awesome. I cannot even stop listening to them. They're literally the best.
  23. Jul 4, 2013
    8
    Looking back at Daft Punk's discography, there music has varied greatly from Homework to Human After All but the main similarity was that they were all electronic albums. On R.A.M, the duo who have been at the front of French House, have taken a risk; they have used live instruments to blend a mix of the 70's and the 80's, they have captured that cross over period, and they blend the twoLooking back at Daft Punk's discography, there music has varied greatly from Homework to Human After All but the main similarity was that they were all electronic albums. On R.A.M, the duo who have been at the front of French House, have taken a risk; they have used live instruments to blend a mix of the 70's and the 80's, they have captured that cross over period, and they blend the two era's seamlessly.

    The first song is called "Give Life Back to Music", just by looking at its name you can see that Daft Punk are trying to resuscitate Music itself, despite the continuing Robot themes on the album. It's a solid start to the album and it gives you a real feel of what is to come. It's well produced and recorded, it's Daft Punk showing all their mastery.

    "The Game of Love" is one of the songs off the album that are quieter, but Daft Punk have done quiet before, look at "Make Love" and "Night Vision", they can do it well, and they do. With the vocoder vocals that are present on various tracks around the album, you get that Daft Punk feel, but even without the electronic drum kits, you know you are getting a Daft Punk album.

    "Giorgio by Moroder", a track that has Giorgio Moroder narrating his life style, and you listen in interest to hear this guy's life story, the man responsible for songs like, "Call Me" "Take My Breath Away" and "I Feel Love". Daft Punk have made a nine minute song dedicated to him; their inspiration. It's one of the highlights on the album. With a spiralling Space Disco synth pattern and a Jazz break in the middle to go back into the synths and then escalate into this epic finale with drums and strings, everything is happening in this song and it never feels crowded.

    "Within" is another slow track but it is so beautiful. A love song in essence, it gives the album emotion, and Guy-Manuel says that the album has more soul then the technical Human After All. It's not just a beautiful song, but it's one of the first really catchy songs, I feel this goes well with "The Game of Love" and it just feels so smooth, as do all the songs.

    "Instant Crush" featuring Julian Casablancas feels robotic, but I like that. I like that in this song because, whilst you can say it feels detached, it's welcome, it's not out of place because it keep the album moving at a good pace, not to say it's a filler because it isn't. The song is good in its own right, I just feel it doesn't hold up to the songs that came before, and that's the album's flaw. Some songs are just so good, the album can't keep it up for it's long length of well over an hour.

    "Lose Yourself to Dance" follows and I can't just feel disappointed with this song. It's definitely one of the weaker ones on the album because of Pharell's singing. His voice, in the higher regions doesn't sit comfortably, whereas he does a better job on "Get Lucky" which is a song that has mid-range vocals, and I think he does that well. Overall the song, apart from the vocoder parts which I like, the song, just feels there. It's just there and I can't place it properly, it feels too much like a combination of other songs on the album, I'm sure people like it, the song just doesn't want to make me dance so to speak,

    "Touch" is another epic song on the album, a sound that Daft Punk have really done well on this album, creating long Progressive Rock type songs on an album with so much Funk and Disco elements and I'm glad to see this. The song starts with a very futuristic sound, a sound which is almost the semantic field of the album, but Daft Punk, taking that Moroder influence, can be said to have always had that futuristic feel to them.

    And then we have "Get Lucky". In comparison to the rest of the album, whilst having and insanely catchy hook and chorus, is actually one the weaker songs on the album. I feel it get's a bit repetitive over six minuets, yet I prefer it to the Radio Edit because there is more to it, so maybe they could have gone halfway between the song mixes.

    "Beyond" is enjoyable but just sits there, I still think it deserves to be on the album though, as well as "Motherboard" which is completely instrumental and takes you back to Discovery. Whilst it feels slightly disjointed I still think it flows well, although, whilst I do love the song, I wish that the track has electronic drums on it because I just feel that it would have given the song more substance because they actually seem a bit weak to me on this song.

    "Fragments of Time" is by far the weakest song. I just don't like it too much, it feels too cheesy, too much. Now, "Doin' it Right" took me some time to like. At first I thought R.A.M fell apart at the end, but it doesn't. "Doin' it Right" featuring Panda Bear on vocals is so catchy. The vocals don't deter from the song but they add to the song, they make it even better. It works really well together and Daft Punk have just added another strong song to the collection. I also feel that the song is, dynamically, far from the 70's veering more towards the 80's and electronic music from era's after, and I think that might be because of Panda Bear's vocals. I even get slight Homework vibes, it's great.

    And then, we reach "Contact". This, is how you close an album. It's just so good. It's a six minute crescendo. It just builds and builds and it screeches and the drums are rolling and it's electronic chaos. I can really see this to become a closer for future live sets.

    Overall, Daft Punk have taken a risk, and it worked. It may have it's flaws, it could do with being shorter, maybe ten, eleven songs instead of thirteen, but I'll make do with I've got because I love this album. I think this album will be listened to and appreciated even more by this generation for years to come, and then the next generation will discover it. I think our love will continue to grow for it, it has that potential because they haven't done anything revolutionary. What Daft Punk have done, is an homage to music of old, and they have done it masterly, but they have still kept it current.
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  24. Sep 18, 2013
    10
    Daft Punk's greatest effort to date. Yes, you heard me correctly-- it's better than both Discovery and Alive 2007. It isn't even really close, either.
  25. Dec 17, 2014
    10
    Nadie se copia de Daft Punk, su estilo es único, así como su forma de ver el House desde su perspectiva mas empírica, desde sus componentes musicales como la experimentación con sus raíces, la música disco, algo que sin duda hacen mejor que nadie en el mundo de la música House.
  26. Nov 9, 2017
    10
    Наверное один из лучших комбеков в истории музыки и наверное одна из лучших пластинок в истории вообще всей музыки.Этот альбом вобрал в себя десятки жанров и при этом все они сочетаются прекрасно.Этот альбом стёр все жанровые границы и совершил настоящую революция в музыке.Даже долгие ожидания этого альбома не испортили впечатление от него.Великолепная музыка.Daft Punk-это подтверждениеНаверное один из лучших комбеков в истории музыки и наверное одна из лучших пластинок в истории вообще всей музыки.Этот альбом вобрал в себя десятки жанров и при этом все они сочетаются прекрасно.Этот альбом стёр все жанровые границы и совершил настоящую революция в музыке.Даже долгие ожидания этого альбома не испортили впечатление от него.Великолепная музыка.Daft Punk-это подтверждение того,что музыка будет жить вечно,ведь появляются исполнители которые берут всё лучшее из музыки и используют это для получения нового уникального звука. Expand
  27. Jul 11, 2019
    9
    Throwback!! This is a fantastic album, with so many great songs in it. Within is so sad, Touch makes me want to cry. Giorgio is great, Get Lucky is one of the most catchy beats ever, Contact is epic, and you really Lose Yourself to Dance! Daft Punk states its mission right off the bat with "Give Life Back to Music" and do they bring disco back!!! Very creative, nicely streamlined, almostThrowback!! This is a fantastic album, with so many great songs in it. Within is so sad, Touch makes me want to cry. Giorgio is great, Get Lucky is one of the most catchy beats ever, Contact is epic, and you really Lose Yourself to Dance! Daft Punk states its mission right off the bat with "Give Life Back to Music" and do they bring disco back!!! Very creative, nicely streamlined, almost flawless... An all-timer no doubt. Plus, if you haven't - check out the Japan bonus song "Horizon", where Daft Punk goes full Pink Floyd. Expand
  28. Jun 1, 2013
    9
    ‘Get Lucky’ the first single and perfect earworm from ‘Random Access Memories’ grabbed me instantly and wouldn’t let go, I championed it to everyone I knew advising them to ‘get on board as it will get you in the end anyway’. I couldn’t wait for the album and then I heard it. The first time I listened to the record was when it streamed on ITunes I had high expectations and was thoroughly‘Get Lucky’ the first single and perfect earworm from ‘Random Access Memories’ grabbed me instantly and wouldn’t let go, I championed it to everyone I knew advising them to ‘get on board as it will get you in the end anyway’. I couldn’t wait for the album and then I heard it. The first time I listened to the record was when it streamed on ITunes I had high expectations and was thoroughly underwhelmed and disappointed. The second time I was walking home at night in the rain and still reeling from the fact it didn’t contain 13 songs anything like ‘Get Lucky’ I was yet again left thinking what the hell is this MOR Avant jazz rubbish. A few friends had already got the album and kept telling me to give it one more go but I was hesitant on wasting yet more time on something that I couldn’t see ever getting. And so the third listen was in the garden and in the sunshine, glass of wine in hand as background music until I realised I was actually being drawn to it, it was forcing its way into the foreground, I was hearing things I’d clearly missed before like strange time signatures and chord changes hidden in the songs in plain sight. How the hell had I missed all this the first few times? It suddenly dropped and I couldn’t believe how good it actually was, I had to keep listening over and over again. I’m still listening. ‘Give Life Back To Music’ with its robot voice and disco beat, ‘Giorgio by Moroder’ with its spoken word story before kicking in with its ferocious live drumming and strange sounds, the eighties feel of ‘Instant Crush’ with the Strokes Julian Casablancas on vocals, the Television sitcom theme style of ‘Fragments of Time’, the closer ‘Contact’ which builds to a glorious crescendo there is so much here to love. Daft Punk have somehow taken influence from every decade in pop and made it into something new, as Alexis Petridis said you think the songs sound like something else until you go to your record collection to try and find it and cant. Now all of the songs are in my head fighting to be the one I catch myself humming or singing and at any point I’m never sure which one will win out. I’m so glad I stuck this this record and eventually succumbed to its power because if I hadn’t I wouldn’t now be in love with its oddly perfect pop genius. Try it and if you don’t like it try it again, try a few times in the sunshine and eventually I’m sure when you have the moment where it clicks you will, like me, be pleasantly surprised. Expand
  29. Apr 1, 2016
    8
    I love how Daft Punk really experimented with their sound on this album. It's also something that a long time Daft Punk fan might hate. Personally I found the tunes to be catchy with some great features.

    The opening track has a nice mantra and a great beat with some nice drumming. There are love songs on here like "Instant Crush" which are decent, but the real stand-outs are the more
    I love how Daft Punk really experimented with their sound on this album. It's also something that a long time Daft Punk fan might hate. Personally I found the tunes to be catchy with some great features.

    The opening track has a nice mantra and a great beat with some nice drumming. There are love songs on here like "Instant Crush" which are decent, but the real stand-outs are the more epic songs. "Contact" is a fantastic closing song and "Doin' it Right is another incredibly catchy tune. "Within" is a slow jam with some great emotion behind it.

    While some songs aren't as good as others, (like Instant Crush and Lose Yourself to Dance), I came away from this album very impressed. Experimentation in music is always risk, but I think the risk paid off on this album.
    Expand
  30. Jun 19, 2013
    9
    The french duo return after sitting back for seven years(not counting their score work for TRON: Legacy.) And they are back with a vengeance. With Random Access Memories, Daft Punk continues to show why they are the face of House music.
Metascore
87

Universal acclaim - based on 47 Critic Reviews

Critic score distribution:
  1. Positive: 42 out of 47
  2. Negative: 0 out of 47
  1. Jul 12, 2013
    60
    As a record standing almost entirely on nostalgia, sure, it gives schmaltzy ’70s dance music a fine, not-sacrilegious update and sets it to a pleasant neon glow, but it’s a trip through history that’s almost more educational than immersive.
  2. Jul 3, 2013
    89
    RAM has the immediate appeal of disco, but never overstuffs with candied hooks, even when we want it to.
  3. Jun 26, 2013
    75
    They've wisely chosen to not compete with the younger generation of DJs, and shown the upstarts the roots of dance music. They've also proven that they are not one-trick ponies who can only build beats on samples. They do just as well with a completely different sonic pallette.