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Red Kite Image
Metascore
75

Generally favorable reviews - based on 10 Critic Reviews What's this?

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  • Summary: The second solo release for the Saint Etienne singer features guest appearances from The Rails and Manic Street Preachers' Nicky Wire.
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Score distribution:
  1. Positive: 8 out of 10
  2. Negative: 0 out of 10
  1. Jun 15, 2015
    80
    It’s Red Kite’s little touches (the sighs on The Mutineer; the nods to modernity on I Close My Eyes) that ensure it lingers in the memory.
  2. Jun 11, 2015
    80
    Working with Edwyn Collins producers Carwyn Ellis and Seb Lewsley, these pastoral acoustic ballads are intimate and innocent.
  3. Q Magazine
    Jun 11, 2015
    80
    The follow-up to 1997's Lipslide proves worth the wait. [Jul 2015, p.104]
  4. Jun 11, 2015
    70
    Red Kite is bound to be a hushed, understated, and at times rather lovely soundtrack for the (hopefully) balmy summer days ahead.
  5. Jun 18, 2015
    70
    On occasion, it gets a little too pleasant, but, when the songs soar, it’s an infectious listen and, with the prospect of summer sunshine ahead, it will serve to soundtrack hazy days.
  6. Jun 16, 2015
    70
    She keeps up her end of the bargain, writing a batch of heartfelt songs and delivering them with her always lovely style.
  7. Jun 18, 2015
    60
    There are some familiarly sunny pop moments on here, including Hearts Are For Breaking, which trundles along like a Deborah Harry solo single, and the rather nice Take The Silver, a nu-folk single in the making, featuring The Rails and including a brilliant three-part vocal chorus.

See all 10 Critic Reviews

Score distribution:
  1. Positive: 1 out of 1
  2. Mixed: 0 out of 1
  3. Negative: 0 out of 1
  1. Jun 21, 2015
    8
    This review contains spoilers, click expand to view. Can you believe it's been 15 years since Sarah Cracknell released a solo album? I think she has outdone her first album LIPSLIDE. While I enjoyed LIPSLIDE, some people felt its sound was too similar to Saint Etienne and doesn't differentiate enough. While that might be true, I still enjoyed it. She was echoing the dance feel from Saint Etienne.

    This time she truly has differentiated herself. The songs have a 1960s folksy, pastural feel and there aren't any dance tracks on here this time around. Not a bad thing. These songs sounds like Sarah poured her heart and soul into them and it shows. This will make it into my top 10 albums of the year. Enjoy!
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