User Score
Generally favorable reviews- based on 23 Ratings
User score distribution:
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Positive: 13 out of 23
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Mixed: 6 out of 23
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Negative: 4 out of 23
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Jan 18, 2020Another example of an album and an artist that had great potential to be great, given that two or three songs ("I Don't Think I Can Do This Again", "Live Like We're Dancing" and "Teenage Heartache Dreams") are really great and they do convey the messages Mura Masa wanted to convey by this whole album. However, comparing R.Y.C. to his debut LP it really lacks innovation and sincerity.
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Jan 22, 2020In a rather unpredictable turn of events Mura Masa pivots his sound 180 degrees becoming a sort of hippie of gen Z. I expect a lot of negative reactions to this record only because people expected something of an electronic beats/hip-hop mixture. Instead we have a sincere and much needed voice of an artist true to himself. If you didn't get, give it another spin.
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Feb 17, 2020
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Mar 1, 2020
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Jan 22, 2020Compared to the previous self-titled record the features here are in sharp contrast, with less of a hip-hop emphasis. That doesn't mean they're not interesting, though.
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Jan 22, 2020Where R.Y.C. succeeds—and where Crossan reveals a real point of view—is in his ultimate rejection of these initial frameworks in favor of something more fluid, a hybrid space in which these sounds, stylings, and emotional responses work together.
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Jan 21, 2020Without overstating the point, the innovation that’s happening in today’s rock music is not coming from traditional rock bands — it’s coming from innovative artists that are fusing it with other sounds, ranging from Soundcloud rappers to electronic-inspired outfits like Guerilla Toss to post-metal acts like Deafheaven. In that context, it’s perhaps no surprise that fresh rock sounds are coming from a nominee for 2018’s Best Dance Album Grammy.