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Jurado's strengths--ability to tug at the heartstrings without seeming mawkish or sentimental--are intact, but bolstered by what you might assume is Richard Swift's input. Unfortunately, it doesn't last. The rest of Saint Bartlett isn't bad, it just reverts to type to such an extent that it pales in comparison to the earlier moments.
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UncutSwift guides Jurado through the sub-Spectorisms of "Arkansas" and "Throwing Your Voice" with a sensitive touch. [Jun 2010, p.96]