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Apr 29, 2020He uses his widest range of sound yet but maintains focus by resisting, as he always has done, the inclusion of vocals or drums. This is one of the great and joyous paradoxes of his music, which is still intensely percussive – synths are planed down and combined into hard bolts of sound that have the rhythmic strength of a drum machine – but freed from the shackles of looped drum patterns.
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Apr 29, 2020Senni presents not so much a cohesive album here, but rather a series of studies on a form, like Domenico Scarlatti’s sonatas. But not like Scarlatti’s sonatas. More like Marc-André Hamelin’s revisionist Omaggios to Scarlatti. Senni produces music with alternating measures of respect and irreverence. But the results lack emotion. Scacco Matto’s production values are modern and bright. But they don’t move me to move.
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Apr 29, 2020It's simply fresh, exciting, beautiful music.