Sea Of Cowards - The Dead Weather
Sea Of Cowards Image
  • Summary: The Jack White-led rock band releases its follow-up to its 2009 debut, "Horehound."
Score distribution:
  1. Positive: 21 out of 32
  2. Negative: 0 out of 32
  1. The group's debut oozed with chemistry, and that musical empathy has just grown stronger and tighter here. And both in songwriting and musical execution--the operative word throughout here--the Dead Weather has crafted the equivalent of a taut, expertly directed movie thriller.
  2. Sea of Cowards is even wilder, with grungier guitars ("I'm Mad," "No Horse"), greasier synths ("The Difference Between Us," "Gasoline") and funkier neo-John Bonham beats from White himself ("Jawbreaker," "Old Mary").
  3. 60
    The mood is authentically heavy but the impact is strangely light. [June 2010, p. 104]

See all 32 Critic Reviews

Score distribution:
  1. Positive: 4 out of 5
  2. Mixed: 0 out of 5
  3. Negative: 1 out of 5
  1. The Dead Weather has a sound that no other alternative band can re-create. With sounds that can remind anyone of Joan Jett and lyrics that are intelligent and entertaining as the memorable rhythms on every track, you would be a "coward" not to like it. Expand
    • 0 of 0 users said yes
  2. Better than their debut album. Sea of Cowards has a heavier and more aggressive sound than its predecessor, but that doesn't make it any less catchy. Stand out track by far and away is Blue Blood Blues. Expand
    • 0 of 0 users said yes
  3. Love Jack White, love The White Stripes, like the Raconteurs, only partially like The Dead Weather, but I think this is album is not only worse than the previous one - I literally can't stand listening to some of it. Expand
    • 0 of 1 users said yes

See all 5 User Reviews

Related Articles

  1. Ranked: Albums Featuring Jack White (The White Stripes)

    Ranked: Albums Featuring Jack White (The White Stripes) Image
    Published: May 11, 2010
    "Sea of Cowards," the latest album from Jack White's side project The Dead Weather, is out this week. How does it compare to White's other albums, including output from The White Stripes and The Raconteurs?
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