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- Record Label: Cherry Red
- Release Date: Jul 7, 2017
- Summary: The five-CD box set collects 83 tracks from between 1978-1986 that influenced the goth movement.
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- Record Label: Cherry Red
- Genre(s): Pop/Rock, Alternative/Indie Rock, Goth Rock
- More Details and Credits »
Score distribution:
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Positive: 7 out of 8
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Mixed: 1 out of 8
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Negative: 0 out of 8
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Jul 7, 2017Another minor issue is the non-appearance of key outfits The Danse Society, Sex Gang Children and X-Mal Deutschland, though the welcome inclusion of hard-to-source rarities from underrated, short-lived acts Rema Rema, Modern Eon and Dublin experimentalists The Threat ensures that Silhouettes And Statues ultimately makes for a surprisingly joyous celebration of all things dark and deathly.
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The WireSep 1, 2017Silhouettes & Statues--83 songs across five CDs--is a useful opportunity to take stock of goth’s actual achievements. It charts the genre’s emergence from post-punk, emphasises points of overlap with anarcho, industrial and even synthpop, and ends in 1986 before the arrival of Nine Inch Nails, Marilyn Manson and hordes of neo-celtic, pagan folk and cyber goth sub-groupings. [Sep 2017, p.69]
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Jul 7, 2017Certainly no nostalgic fad celebration, this epic collection is more like a stellar overview of the last century’s more vibrant and often overlooked darker-hued rock, cast among a hell-spawned panoply of lesser-known pranksters.
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MagnetJul 18, 2017The perfect companion piece for black-lit nights at home. [No. 144, p.61]
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Jul 31, 2017Clearly five CDs is way too much musical despondency to take in on one sitting, but this compilation does comprehensively show that for a genre known for an insular outlook, there was a surprising amount of scope musically from the bands involved.
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Aug 22, 2017Not everything is suddenly revelatory in a positive sense--indeed, often the selections confirm exactly what you might expect, and sometimes songs start to blend into one another, which is inevitable over the course of such an extensive set.
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Jul 7, 2017Oddly, there’s nothing here from Echo & The Bunnymen, despite the inclusion of borderline cases like The Damned, The Mission and Adam And The Ants, and a host of lesser bands creating the musical equivalent of smeared mascara. But there’s a broad range of tangential directions sheltering under the otherwise welcoming umbrella of Silhouettes & Statues.