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With experimentation comes occasional failure, however, and at times Since Last We Spoke can feel a bit forced.
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Unfortunately, few of these tracks wield the same impact as his tried-and-true hip-hop productions, and more often than not, feel like attempts at being everything to everyone.
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Much in the way Pete Rock or Kanye West reinterpret classic 70s soul for a new generation, Since We Last Spoke is RJD2s trip through the AM dial 30 years ago, the songs of the period experienced anew.
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What makes Since We Last Spoke such an indisputably groundbreaking record is Rjd2's ability to create such an intricate pastiche of diverse musical styles that it seems like a wholly new genre in and of itself.
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With only a few exceptions though, Since We Last Spoke makes the moody Dead Ringer sound like a piece of flag-waving exuberance; instead of the occasional uptempo track, it's brooding and mellow throughout the record -- very nearly a rap singer/songwriter record.
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Since We Last Spoke finds RJD2 sounding like some blessed creature who's able to tune in every radio station in the world, past and present, and mix them together into a cohesive whole.
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Since We Last Spoke continually subverts expectations of what an Rjd2 album is about, yet the songs all stick together in a cohesive way, and the album still somehow bears the distinct personality stamp of the RJ we already knew, even as some of it diverges wildly from the path he's been on so far.
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RJ's solo work transcends hip-hop boundaries, and at its peak moments, is better described as much closer to soul.
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RJ and his sampler wander the record crates of shared memory, and come up with progressive rock and Northern soul songs that have little to do with anybody's idea of revival.
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Favours The Song over ambient abstraction and real-time playing over rejigged samples.
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The order of the songs in the end seems carefully chosen, not unlike a play or movie where the emotional resonance from each piece is meant to build you up, bring you down, and build anticipation through each movement towards the climactic ending.
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Q MagazineTerrifying, but in a good way. The bar is raised. [Jun 2004, p.105]
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Alternative PressRJD2 possesses the rare ability to transform moldy samples into fresh-as-tomorrow compositions. [Jun 2004, p.110]
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But even on those tracks that don't make the cut as RJ stand-outs almost everywhere you care to look there are stylish touches and subtleties waiting to be discovered with each subsequent listen.
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UncutSolid song structure replaces ambient abstraction... ranges across Latino jazz, stadium rock, soul and pastoral glitch. [Jun 2004, p.86]
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BlenderA hip-hop Blood On The Tracks. [#27, p.143]
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UrbWith hardly a breakbeat in sight, RJ's sophomore effort plays like an homage to '80s-era easy listening.... An ambitious effort, but a failure all the same. [May 2004, p.86]
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Since We Last Spoke is more sonic retreat than bold reinvention, an intriguing, if not entirely triumphant, tip of the hat to the sound and spirit of the Year of the Dragon.
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FilterA fluid record packed with full songs. [#10, p.88]
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Entertainment WeeklyRJ... lets his softer side show to touching effect. [18 Jun 2004, p.84]
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SpinA Kleenex-grabbing, chain-smoking, staring-out-the-window, in-bed-for-days breakup record. [Jun 2004, p.106]
Awards & Rankings
User score distribution:
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Positive: 14 out of 16
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Mixed: 1 out of 16
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Negative: 1 out of 16
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Jul 27, 2012RJ certainly changes things up on this album
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pelicianeMar 7, 2006
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marcushJan 7, 2006Better than the first album.