- Record Label: [self-released]
- Release Date: Jan 30, 2007
- Critic score
- Publication
- By date
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The songs start running together till they’re not distinct tracks so much as guitars and bass and drums and yelpy indie vocals that happen to have been recorded at the same time.
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Less energetic and more all-over-the-place, it's ramshackle rock full of drones and jangles that crest and hum, with Alec Ounsworth splashing his warbly David Byrne alto around like cheap paint.
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Replacing the kitschy DIY aesthetic with intentional roughness and bloating each nook and cranny with some sort of sound, what’s emphasized is its production, not its songwriting.... At the same time, however, it’s the production that makes the album somewhat interesting.
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This album is too much of a mess to be seen as a worthy follow-up to such a great debut.
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[Fridmann's] atmospheric flourishes have always been heavy handed, but here they muddle tightly conceived pop tunes that would've sounded better scrappy.
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The band’s weakness may well be that it has become comfortable in its awkward and uncomfortable sound.
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Ounsworth's impassioned delivery is gone throughout most of Some Loud Thunder, replaced by what can only be described as vague indifference.
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Under The RadarIt isn't awful... However, neither does Thunder deliver the lightning strike that would effectively mute the onslaught of a backlash. [#16, p.90]
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New Musical Express (NME)There's the odd good song... but these are rare moments from a band wallowing in coarse experimentalism. [20 Jan 2007, p.31]
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UncutA flawed but fascinating follow-up. [Feb 2007, p.85]
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BlenderSome Loud Thunder is certainly uncompromising--which isn't the same thing as "good," although it's got a handful of very good moments. [Mar 2007, p.131]
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Alternative PressSome Loud Thunder isn't without its successes--but it is defined by its failures. [Feb 2007, p.114]
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MojoIt's too mixed a bag of highlights and lowlights to be lovable. [Feb 2007, p.100]
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UrbCYHSY seem to have set out to make their "important" sophomore record... which is only truly important if you believe that songs gain weight at the hand of bulbous studio wankage (they don't) and that unnecessarily inflated melodrama equals more fun (it doesn't). [Jan/Feb 2007, p.76]
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The New York TimesClap Your Hands Say Yeah demands a new, irksome level of indulgence on "Some Loud Thunder." But it finds a new richness in the songs it doesn’t sabotage. [29 Jan 2007]
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It's worth giving it a second (or third) listen.
Awards & Rankings
User score distribution:
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Positive: 50 out of 74
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Mixed: 19 out of 74
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Negative: 5 out of 74
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JuanPabloCHMar 16, 2007
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Oct 5, 2012
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JasonLMay 9, 2007