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Dec 21, 2011Does fall just short at times of mimicking a brand of saccharine faux-post-big-band jazz that flourished in the '50s and early '60s, but Haden and his team are too masterful to allow their tribute to lose its stylishness.
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MojoMay 6, 2011If Diana Krall's Goodby and Norah Jones's Ill Wind are strikingly vulnerable, intimate performances of classics, it's perhaps the obscurer selections that stand out. [Feb 2011, p.107]
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May 5, 2011All the performances are touched by Haden's instinct for doing the right thing quietly. It hasn't been out front for weeks in the French jazz album charts for nothing.