• Record Label: The End
  • Release Date: Apr 10, 2012

Generally favorable reviews - based on 13 Critics

Critic score distribution:
  1. Positive: 6 out of 13
  2. Negative: 0 out of 13
Buy On
  1. Apr 10, 2012
    "Boat Trip" is the album's strongest moment, a gently treading meeting of spacy Fleet Foxes-style harmonies and buried aquatic melodies cribbed from post-SMiLE-era Brian Wilson mania.
  2. Apr 12, 2012
    The band finally sound battle weary, like they've climbed a peak and now want to rest in a quiet valley. The haze has taken over. And perhaps that's why the album presents itself as "hits"-not bong hits, though that's possible; but rather giving the sense of a posthumous collection.
  3. Q Magazine
    Apr 25, 2012
    Fans will crave more drones and dreaminess (Deep War and Lioness (Requium) are half-hearted attempts) and newcomers less stoner arrogance. [May 2012, p.106]
  4. Under The Radar
    Apr 10, 2012
    Another 11 driving, sun-faded jams, occupying that headspace somewhere between early Flaming Lips and Traffic. [Mar 2012, p.87]
  5. 50
    While the overall sound is brighter, it's also largely rather weedy, and trading in the once colossal stoner riffs for languid neo-folk doesn't really suit this five-piece all that well.
  6. Apr 10, 2012
    Their most lukewarm effort. What was, in their early days, delicious in its languor is now turgid and inert, struggling for hooks with only the most tepid sense of melody.
  7. Apr 24, 2012
    With occasional flashes of their previous excellence, Spine Hits has too many drab moments to make this anything other than their weakest work yet by far.

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