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Her production instincts are spot-on, never overindulging in the freedom afforded by her role as the producer. Unfortunately, Lynne's songwriting isn't as sharp here as it has been on records like Suit Yourself and Identity Crisis.
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The songs that round out the album similarly waver between sparse tunes aiming at etherealness and ballads that strive for languor. None quite work on their own, and I lose all sense of where we're headed.
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Q MagazineShelby struggles to get her dues outside conventional country circles, but Tears, Lies And Alibis is far from conventional. [Nov 2010, p.111]