• Record Label: Superego
  • Release Date: Apr 15, 2014
Metascore
79

Generally favorable reviews - based on 14 Critic Reviews

Critic score distribution:
  1. Positive: 12 out of 14
  2. Negative: 0 out of 14
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  1. Apr 14, 2014
    54
    At heart, this is an enthusiastic debut that can’t quite live up to its own billing, but at least it shows two veterans who have bravely embraced the neophyte’s challenge of figuring out their sound.
  2. If the music still plays to the lighter side of power pop, it’s more animated and edgy than either musician has managed in too long a time.
User Score
7.1

Generally favorable reviews- based on 8 Ratings

User score distribution:
  1. Positive: 5 out of 8
  2. Negative: 1 out of 8
  1. smw
    May 21, 2014
    10
    The album is outstanding, with Mann and Leo creating a more appealing sound together than either had done separately. "Milwaukee," "BedtimeThe album is outstanding, with Mann and Leo creating a more appealing sound together than either had done separately. "Milwaukee," "Bedtime Stories," and "Hummingbird" stand out as highlights for their catchy hooks and beautiful vocal harmonies. (Even my kids love those songs, to my pleased surprise!) They've called the album a tribute to their mutual musical hero, the late Scott Miller (pop musician, leader of Game Theory; look him up on Wikipedia), and "Bedtime Stories" exemplifies The Both's fidelity to his hook-laden, musically complex, intellectual model of power pop. Full Review »
  2. May 13, 2014
    4
    It's okay. But i can't say i like it. I'm not sure i'll remember any of the tracks by the end of the month. Nothing really stuck with me.It's okay. But i can't say i like it. I'm not sure i'll remember any of the tracks by the end of the month. Nothing really stuck with me.

    Maybe some people like this kind of music, but i don't. Which is strange, 'cause i enjoyed a few of Aimee Mann's earlier work.
    Full Review »