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Tina Weymouth and Chris Franz have explored a stunning amount of musical styles within the confines of this album, with every song sounding like it was produced by a different group.
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[Tom Tom Club] come this close to surpassing the raw energy, vibrant power, and rhythm-fresh approach of their now-classic eponymous debut.
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The Good the Bad and the Funky is the first new album from the Tom Tom Club in eight years, and it's absolutely remarkable. Not only does it stand up to any of their previous releases, it may just be their best, most focused work ever -- and that's a lot to live up to, given the band's history.
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While all of the songs are strong, they don't necessarily sound like they belong on the same album.
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At first listening, this feels vexingly inconsequential, but after a few loosening listens the music's slight but simple pleasures shine through.
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Frantz and Weymouth have teamed up with a melting pot of songwriting, vocal and instrumental talent, who have supplied offbeat but on-point, ever-changing flavors.
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Replete with tasty elements borrowed from jungle, drum & bass and contemporary Afro-pop, their fifth full-length album manages to blend and synthesize all their disparate source material better than any previous effort save their startling 1982 debut.
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The new Tom Tom Club album is a lot like its title: a pop-culture reference whose impact fades upon inspection.
Awards & Rankings
User score distribution:
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Positive: 5 out of 6
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Mixed: 0 out of 6
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Negative: 1 out of 6
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Aug 7, 2012
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Apr 3, 2012
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LeonardoFMar 20, 2005Put it on and play it loud, you won't stop dancing.