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MojoDec 17, 2012The Night Has a Thousand Screams dresses the oily synth ripples and murky bass lines of Hill's previous Umberto releases From The Grave... and Prophecy Of The Black Widow with glistening descant textures and rich analogue pulses, bringing a new shimmering elegance and profound foreboding to both his sound and, in the great tradition, the base source material. [Jan 2013, p.98]
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UncutDec 10, 2012The acid test of any recorded OST is its ability to stand independent of image and dialogue and on that count, Hill's latest as Umberto more than measures up. [Dec 2012, p.78]
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The WireDec 7, 2012It's cleaner sounding for a start--each track gleams like a freshly sharpened butcher's knife--and the sense of dynamics is rather more acute. [Nov 2012, p.70]