Metascore
78

Generally favorable reviews - based on 19 Critic Reviews

Critic score distribution:
  1. Positive: 16 out of 19
  2. Negative: 0 out of 19
  1. Equally inspired by The Raincoats and Jacques Brel, The Power Out veers from one inspired genre tribute to the next, if it never quite cements the band's identity.
  2. Music that at once revels in and transcends rock traditions.
  3. But even though the group perfectly defines the way that so many British art-school bands have sounded since the late '70s, in Electrelane's hands it still seems fresh.
  4. This is probably destined for the darkest recesses of the John Peel programme, but it deserves the same attention afforded to similar one-offs such as British Sea Power.
  5. The sheer ambition of it is staggering at times and you can't help feeling that Electrelane are on the right trajectory.
  6. There are gimmicks, but there’s musical merit, and genuine feeling to match the calculated charm.
  7. The album carries a compelling intensity among the varied and evocative songs.
  8. The result is a tad muddled, with the valleys unfortunately outnumbering the peaks.
  9. Mojo
    80
    An arresting cocktail of post-punk angularity and instinctive pop savy. [Feb 2004, p.102]
  10. Uncut
    80
    The minimalist grooves grow ever tighter. [Feb 2004, p.71]
  11. Q Magazine
    80
    Verity Susman's wayward, fragile Nico-lite vocals will either delight you or drive you nuts. [Mar 2003, p.102]
  12. Swapping the winding soundscapes of ‘Rock It To The Moon’ for punchier, vocal-led pieces, Electrelane have struck creative gold.
  13. 80
    It’s not so much that Electrelane’s signature film score sound has been replaced, more added to and built upon; becoming the veiled framework to a new - almost celebratory - level of contentment.
  14. Blender
    70
    A heartfelt batch of art-pop that never sounds snobby. [Mar 2004, p.117]
  15. They've got better stuff in them, we believe, but, meanwhile, 'The Power Out''s strictly a forty watt affair.
  16. Entertainment Weekly
    91
    Recalls both early [Philip] Glass and Stereolab, at least until the squaling vocals begin, when it starts to conjure the art brut of punk foremothers like the Raincoats or the Slits. [Listen 2 This supplement, Feb 2004, p.16]
  17. The Power Out's most impressive feature is the musicianship and songwriting skill on display.
  18. The Power Out may surprise and confuse listeners expecting Rock It redux, and the new album has a few rough patches and a general inconsistency due to Electrelane's willingness to experiment.
  19. The Wire
    50
    There are occasions when vocal inadequacy can be more emotionally fetching than full-throated virtuosity.... This, however, is not one of them. [#239, p.57]
User Score
8.2

Universal acclaim- based on 11 Ratings

User score distribution:
  1. Positive: 10 out of 11
  2. Mixed: 0 out of 11
  3. Negative: 1 out of 11
  1. Pierre-EmmanuelL
    Feb 17, 2006
    9
    They have a gift for writing cloudy songs and let the listenner dreamily drift in the music
  2. ChisL
    Feb 18, 2005
    7
    A bit of a disappointment only in the fact that its clearly not as good as their debut.
  3. RickK
    Apr 15, 2004
    10
    Best album I've heard this year thus far. Certainly the most ambitious--I can't recall another album with rocking songs sung in 4 Best album I've heard this year thus far. Certainly the most ambitious--I can't recall another album with rocking songs sung in 4 different languages. A classic. Full Review »