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The WireNov 15, 2018The hi-hats and furiously brushed cymbals of Badalamenti’s pseudo-jazz cues outline these tracks, along with heavy but oddly affectless arco bass. He performs Lynch’s lines, describing scenes of unearthly violence, banality and menace, as if growling the menu of a New York Brooklyn trattoria. What guides the album away from this rather dated aesthetic, apart from the glaring crispness and pitch-black texture of the mixing, is the quality of the noise. [Dec 2018, p.69]
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Nov 14, 2018It’s unpredictable and uneven but also strangely compelling and overwhelmingly Lynchian. It’s a whole new side to these two that you didn’t know you wanted.
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Nov 14, 2018Lynch and Badalamenti aficionados will no doubt revel in its many strange charms, but perhaps above all, they'll appreciate the sound of two old friends having a great deal of mischievous fun.