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The WireJun 2, 2017Undertow makes great use of Baljo’s guitar and Olson’s saxophone; looping them into churning, oozing grooves that recall the metallic swamp of Gnod’s Infinity Machines LP. Within this sickly ambience, bursts of electronic noise erupt and sputter but never dominate. [Apr 2017, p.59]
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May 3, 2017Three short instrumentals fail to muster the same energy. Interesting sounds abound, but they don't always connect, sometimes feeling less like music than collections of sound effects. At their best, though, Wolf Eyes evoke soundtracks to a lost drama whose characters are always in peril, be it from physical violence or internal torment.
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Apr 4, 2017It's every bit as ugly, uncomfortable, and bothered as one would expect from Wolf Eyes, and it feels like the only logical way such an expression of confusion and paranoia could unravel.