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Still, no matter how many of these admittedly incredible rhymes end up surfacing over time thanks to his mother's part-earnest, part-exploitative efforts, the bottom line is that 2Pac never finished these songs -- there are a few fully developed songs here worth marveling over, just not nearly enough to justify the album's double-disc length
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What saves what sounds from beginning to end like an extremely quick buck -- via material on a music equivalency level of farts and burps -- is Shakur's provocative presence, so urgent in both decadence ("Good Life") and desperation ("This Ain't Livin'") that he still seems here, at least in the spirit of his lyrics.
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Entertainment WeeklyToo often here, post-mortem producers dilute his power with garish backup singers and pop hooks. [4/20/2001, p.72]
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So, even the fact that these 29 tracks, including 3 remixes, have sometimes been re-produced, re-jigged and finely honed production-wise doesn't diminish the original effort involved.
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Heavy on outside contributions and certainly missing 2Pac's editorial control and final production decisions, Until the End of Time bops and weaves from peak to valley in schizophrenic fashion.
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The problem isn't so much that this album sounds dated (not surprising, as it was recorded back when Lil Bow Wow was in pre-K), but rather that the songs are so poorly mixed and produced...
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Nothing here quite matches the sheer awfulness of its title track and first single, which inexplicably samples Mr. Mister's "Broken Wings," but the album is uneven throughout, perhaps inevitably, given its two-hours-plus length.
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Multitracked to death, Until the End of Time lacks the intensity that made the original Makaveli's Don Killuminati: The Seven Day Theory so brash and exciting.
Awards & Rankings
User score distribution:
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Positive: 71 out of 83
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Mixed: 2 out of 83
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Negative: 10 out of 83
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Apr 24, 2015
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Dec 20, 2014
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Apr 13, 2013