• Record Label: Naïve
  • Release Date: Mar 16, 2018
User Score
8.6

Universal acclaim- based on 10 Ratings

User score distribution:
  1. Positive: 9 out of 10
  2. Negative: 0 out of 10
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  1. Apr 9, 2018
    4
    As a long time Me'shell fan, I wanted to like this disc more than I actually did. I applauded the idea of taking 90s R&B jams and reinventing them with new energy, and perhaps new rhythmic and harmony ideas. What I got instead was another album continuing Me'shells descent into lethargic low energy acoustic strummers and shy vocals. The funky Me'Shell of old is certainly long gone, butAs a long time Me'shell fan, I wanted to like this disc more than I actually did. I applauded the idea of taking 90s R&B jams and reinventing them with new energy, and perhaps new rhythmic and harmony ideas. What I got instead was another album continuing Me'shells descent into lethargic low energy acoustic strummers and shy vocals. The funky Me'Shell of old is certainly long gone, but she's always managed to infuse each album with a few forceful inventive songs that utilize her innate musicality and formidable bass skills. This album, for me, had too little of either. Expand
Metascore
80

Generally favorable reviews - based on 10 Critic Reviews

Critic score distribution:
  1. Positive: 9 out of 10
  2. Negative: 0 out of 10
  1. Apr 4, 2018
    80
    The greatest strength of the album is that you don’t think of the original artists while Ndegeocello is singing. Some will feel she’s been reckless with beloved jams, others will fall in love with them all over again, and many will discover a new side of them even if they’ve heard the original a million times.
  2. Mar 22, 2018
    80
    These are well-loved songs that Ndegeocello loves a little bit more, singing them with a rich, warm tone (she’s never sounded better) and backed by a band who know how to anticipate every bob and weave she might make. It’s one of her best.
  3. Mojo
    Mar 20, 2018
    80
    Ndegeocello's covers album comprises wonderful takes on R&B and soul. [May 2018, p.98]