Metascore
61

Generally favorable reviews - based on 13 Critic Reviews

Critic score distribution:
  1. Positive: 3 out of 13
  2. Negative: 0 out of 13
  1. It's not the worst thing imaginable to make a nice, pleasant record that wouldn't trouble anyone; it's just that Vandervelde (seemingly) promised more than just a peaceful easy feelin', and Waiting for the Sunrise is an almost complete disappointment in that regard.
  2. Filter
    58
    Vandervelde masterfully dresses singer-songwriter tunes that could exist just on acoustic guitar in beautiful studio psychedelics, but too often he lets his brillant sound palette subsitute for structural creativity. [Summer 2008, p.98]
  3. Vandervelde possesses a strong voice and a definite place as a singer-songwriter, even if that place isn’t too far above the rest just yet.
  4. By rights, this should feel cloyingly sentimental, but Vandervelde’s musical virtuosity means it’s beguilingly exotic, particularly album opener 'I Will Be Fine'--an insomniac’s echoey hymn to the pre-dawn hours.
  5. Waiting for the Sunrise is never boring. At worst it dips into ‘pleasant’ territory, and if that guitar jam comes precisely when you’re expecting it, let’s call it “classic” rather than “formulaic” songwriting.
  6. Waiting for the Sunrise doesn’t signal the end of Vandervelde’s party, but one hopes he gets his second wind rather than becoming satisfied and heading off to bed.
  7. 50
    Sliding away from his Marc Bolan fixation, Vandervelde sounds more like a subpar Lindsey Buckingham (there's even a cocaine lyric on 'Someone Like You'), offering shlocky '70s AM pop rock on drifting, overlong tunes like 'Need for Now.'
  8. Uncut
    60
    Vandervelde's second album only really hits its stride in the six-minute centerpiece 'Someone Like You.' [Oct 2008, p.114]
  9. Under The Radar
    50
    David Vandervelde's latest full-length, Waiting For The Sunrise, is a a warm, comfortable, '70s AM radio throwback, layered with organs, reverb, and smoky heartbreak. [Fall 2008, p.84]
  10. If Vandervelde's new set struggles to generate the same charge, maybe that's because it doesn't approach its source material with the same aggression or playfulness.

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