User Score
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User score distribution:
  1. Positive: 2 out of 3
  2. Negative: 0 out of 3
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Metascore
74

Generally favorable reviews - based on 7 Critic Reviews

Critic score distribution:
  1. Positive: 6 out of 7
  2. Negative: 0 out of 7
  1. The Wire
    Mar 7, 2019
    70
    Weird is more insular, almost cabin feverish in Hatfield’s tendency to celebrate her own company (“All Right, Yeah” and the impossibly wholesome “Do It To Music”) or conversely magnify her own physical flaws (“Broken Doll”). If you hold some nostalgia for Hatfield’s early years but tuned out some time ago, you might get more from this than you expect. [Mar 2019, p.62]
  2. 70
    Veering through infectious reflexions on self-imposed domestic isolation (“Staying In”), being contentedly single (“It’s So Weird”), confectionary-addiction (“Sugar”), rampant life commodification (“Everything’s For Sale”), the fake news-mired polity (“Paid To Lie”), personal body and space dishevelment (“Broken Doll”), these are some of the most consistently likeable Hatfield cuts of recent times.
  3. Jan 29, 2019
    73
    The songs are bolstered by a generally unsettled sound throughout. Yet rather than opt for a tumult, Hatfield maintains a persistent pulse and an air of determination.