Who Killed Amanda Palmer Image

Generally favorable reviews - based on 13 Critics What's this?

User Score

Universal acclaim- based on 25 Ratings

Your Score
0 out of 10
Rate this:
  • 10
  • 9
  • 8
  • 7
  • 6
  • 5
  • 4
  • 3
  • 2
  • 1
  • 0
  • 0
  • Summary: The debut album for the Dresdan Dolls singer was produced with Ben Folds.
Score distribution:
  1. Positive: 12 out of 13
  2. Negative: 0 out of 13
  1. The album's not for everyone, but if her sound is to your taste, then it will prove a rewarding, delectable, necessary thing: one of this year's most consistently interesting albums.
  2. Like strong coffee, it's not for everyone - this is an album that follows Rodgers and Hammerstein's 'What's the Use of Wond'rin' with a distressingly jaunty teen's-eye tale of abortion and Britpop--but it packs a mighty punch.
  3. This disc is more fun than leafing through a schizophrenic's case history and twice as loud--and this reviwer can't wait for the sequel. [Oct 2008, p.158]
  4. Aside from a few tedious moments, that's no reason to complain.
  5. In truth Who Killed Amanda Palmer spans a decade of songwriting, and by 'Leeds United' the disc has revealed itself as a broad collection of rich character studies born of Palmer's lyrical acuity, likely laced with personal touches that nudge some of the material toward the at least loosely autobiographical.
  6. Palmer has made a record that sounds not like the latest from Brechtian punk cabaret's leading light, but the thoughtful debut from an invigorated artist, striking out from the valley of the Dolls.
  7. Without Viglione as a foil, the songs on Palmer's solo debut seem to have lost some delicacy and character. [Fall 2008, p.78]

See all 13 Critic Reviews

Score distribution:
  1. Positive: 12 out of 12
  2. Mixed: 0 out of 12
  3. Negative: 0 out of 12
  1. Nov 1, 2010
    This is an incredible album. Amanda Palmer delivers again, and her songs pack as much punch as they do on the Dresden Dolls albums. The songwriting is pure genius...you get unexpected, hook laden melodies, crashing piano, subtle emotional ballads and black humor. Lyrically, Palmer presents us with an honesty that is almost heartbreaking and sometimes cruelly sarcastic. All in all, you will not walk away from this album disappointed or unmoved. Expand
  2. Jan 24, 2013
    It is clearly not for everybody and isn't always easy on the ears, as Amanda doesn't go at all for angelic vocals or even decent vocals. However, in that she proves that with just the right amount of grit and roughness she can display any emotion she wants, and she does so with incredibly powerful piano solos and sweeping strings. Expand

See all 12 User Reviews