• Record Label: Sub Pop
  • Release Date: Sep 5, 2000
Metascore
80

Generally favorable reviews - based on 12 Critic Reviews

Critic score distribution:
  1. Positive: 10 out of 12
  2. Negative: 0 out of 12
  1. This slow, hazy, head-in-the-clouds music has a way of leaving sonic cobwebs long after it's over, the melodies lingering like distant memories.
  2. 60
    Occasionally, Yang's sugary, torchy vocals are too heavy-handed for this ethereal drone pop.
  3. A shimmering set of utterly gorgeous songs.
  4. At times, Yang's ethereal monotone is the attention-getter. Elsewhere, the music takes over, often in the form of lengthy guitar solos and a slow, bittersweet weaving of instruments traditional... and otherwise.... This is smart, deep-thinking slowcore.
  5. 80
    The seamless integration of acoustic strumming, post-collegiate lyrical references, crystalline ambiance and overall etherealness of the entire album make With Ghost an album that certainly stands on its own.
  6. By turns breathtakingly radiant and heartbreakingly melancholy... the record is both comforting and challenging, its placid surfaces masking poignant meditations on resignation, dislocation, and loss.
  7. Mojo
    90
    Damon and Naomi haven't so much altered what they do as augmented it, often beautifully. The results are occasionally breathtaking.... A rare and graceful record. (Oct 2000, p.92)
  8. One would think that, coming off of last year's rich Snuffbox Immanence, the psych-folk collective would add profound depth and originality to Damon and Naomi's dreamy folk.... But, regardless of who's to blame, Ghost's role isn't large enough to alter Damon and Naomi's sound.
  9. Ghost have helped Damon & Naomi reinvent themselves on this dream-pop excursion.
  10. Spin
    70
    Tokyo psych-folk mystics Ghost add lavish accompaniment that lures these tiny, opining songs out of the bedroom. [Oct 2000, p.184]
  11. The Wire
    80
    Abalanced, democratic collaboration, with neither unit dominating.... Ghost's faraway sound lends Damon & Naomi's straightahead arrangements a yearning, devotional air... [#199, p.56]
  12. Gorgeous melancholy is what these folks do best, and on tunes such as "The Mirror Phase," "Judah And The Maccabees," and a lullaby-like cover of "Blue Moon" from Big Star III, they outdo themselves, producing produce their finest collection since More Sad Hits in 1997.

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