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- By date
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Its nihilism can grate, but it makes an impression.
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Reznor seems to eschew depth for surface explosions and instant gratification, and the result is a finished product that, while decent on an individual track, doesn't hold up as Year Zero progresses.
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Hearing new material from this old warhorse at a time when it’s most needed is damn reassuring; however, it cannot be said, in all honesty, that the music on Year Zero is good.
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Thematically it's overboard and at 16 tracks over 60 minutes repetitious and ham-fisted. But musically, Year Zero offers moments of industrial brilliance.
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Everything here sounds familiar.
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UncutNothing sounds more dated than an ageing futurist, and it's only when Trent cuts loose... that we get a glimpse of the world-beater we know he can be. [May 2007, p.103]
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Year Zero massively benefits from lowered expectations. Reznor channels his anger, focuses it and takes a much-needed breather from his tried-and-true formula of nihilism and the question of self-destruction, but at its core the album has very little to teach us or anything original to say.
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This is just one long squelchy fart of a soundscape that Reznor himself admits is probably too long. It's certainly too unremitting.
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A number of tracks here follow a similar, frustrating formula. For three minutes they showcase Reznor’s worst tendencies; the boorish plod of the choruses, the hoarse moan of the vocals. On the remainder of each of these songs Reznor does what he’s good at – i.e. creating delicious layers of chaotic industrial noise.
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SpinThe songs drag in the middle, choruses become interchangeable, and too many tracks end with the same electronic stuttering. [May 2007, p.84]
Awards & Rankings
User score distribution:
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Positive: 235 out of 256
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Mixed: 9 out of 256
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Negative: 12 out of 256
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CraigC.May 29, 2008THE best NIN album thus far!
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RingoDingoSep 6, 2007
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JK.Aug 8, 2007Fantastic album.