Metascore
76

Generally favorable reviews - based on 10 Critic Reviews

Critic score distribution:
  1. Positive: 7 out of 10
  2. Negative: 0 out of 10
  1. One can't help but feel that this is still a transitional album in general, but at least they've overcome their Garbage fascination and seem to be delivering music more in tune with their attitude and style.
  2. Has a rhythmic, revving-motorcycle momentum, like the Pixies without all the shrieking, or Sonic Youth without the frustrating feedback experiments.
  3. Spin
    80
    A return to 1994's seduction strategies: pomade-greased riffs, subdermal bass, distorto samples, and free-associative rants about how Miami is cooler than Hollywood. [July 2002, p.112]
  4. Entertainment Weekly
    83
    The bruising ferocity of these songs ensures that GVSB will retain their noisy-boy cult status for as long as that's the musical context they prefer. [17 May 2002, p.78]
  5. Alternative Press
    80
    Girls Against Boys are still together making pwerful music that detonates the soundtracks of the new subcultures and corporate marketing campaigns. [Jun 2002, p.75]
  6. Magnet
    80
    Song after song hurts in that oh-so-right way. [#54, p.89]
  7. 80
    GVSB returns with the hallmark components of its early '90s Touch & Go days: piercing guitar riffs, frequent attacks of twin basses, surging percussion, and a heavy dose of vocal sass from Scott McCloud.
User Score
tbd

No user score yet- Awaiting 1 more rating

User score distribution:
  1. Positive: 3 out of 3
  2. Mixed: 0 out of 3
  3. Negative: 0 out of 3
  1. joris
    Dec 11, 2004
    9
    Basstation is overwhelming, so is the rest of the album