Almost Cool's Scores

  • Music
For 410 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 0.7 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Highest review score: 93 You Forgot It In People
Lowest review score: 20 Do The Bambi
Score distribution:
  1. Negative: 6 out of 410
410 music reviews
    • 75 Metascore
    • 80 Critic Score
    Probably now their most accessible album, as they change things up a lot more than they have with past releases, implementing different sounds in nearly every track.
    • 87 Metascore
    • 80 Critic Score
    Low continues to create beautiful music.
    • 78 Metascore
    • 80 Critic Score
    In some ways, the 4 song EP is actually some of the most stripped-down work by the group, but it's also quite essential.
    • 54 Metascore
    • 70 Critic Score
    Whether they're toying with different sounds that have been explored by other groups or pulling out the stops on tracks like "Air Methods," they've still managed to create an interesting batch of tracks.
    • 78 Metascore
    • 80 Critic Score
    Although a couple tracks towards the end don't work quite as well, it doesn't detract from the album as a whole very much.
    • 77 Metascore
    • 70 Critic Score
    Quite possibly their best album.
    • 76 Metascore
    • 80 Critic Score
    An excellent release, albeit a bit short.
    • 84 Metascore
    • 90 Critic Score
    Not only has the group taken their sound and refined it even more, but even the ambient soundscapes and parts between the actual songs are more well constructed.
    • 84 Metascore
    • 70 Critic Score
    Although it's a huge departure for those expecting more of the same from Holmes, it's easily the most sonically interesting release by him thus far.
    • 82 Metascore
    • 80 Critic Score
    There is just enough of a changeup in the sounds of the songs (from a variety of releases) that makes the disc worth having if you enjoy the group.
    • 78 Metascore
    • 80 Critic Score
    However slight it is, there's a measured optimism in some of the lyrics on the release that make the weight of things just a little easier to bear.
    • 68 Metascore
    • 80 Critic Score
    This is by far their most polished and clean sounding album to date, as well as one that doesn't have the sort of immediately catchy tracks like on previous releases.
    • 66 Metascore
    • 70 Critic Score
    While not every single thing they try works, it's still a very enjoyable listen.
    • 81 Metascore
    • 80 Critic Score
    The simplicity of it all (only one instrument and vocals) highlights her vocals even more and even when the disc closes out with the more upbeat "Sea Of Love," you'll still feel a bit of melancholy hovering over.
    • 80 Metascore
    • 70 Critic Score
    The Contino Sessions is definitely a step in the right direction for the group in terms of continuity and development of their sound, but their are still a few hiccups that they need to work out.
    • 88 Metascore
    • 80 Critic Score
    He jumps styles of music effortlessly, all the while managing to pull things together with touching and inventive lyrics.... One of the best releases of the year.
    • 85 Metascore
    • 80 Critic Score
    A very good slice of experimental pop.
    • 84 Metascore
    • 80 Critic Score
    It's a fun, varied excursion.
    • 79 Metascore
    • 80 Critic Score
    13
    If you're a fan of the old Blur material, this disc may not be your thing.
    • 79 Metascore
    • 80 Critic Score
    If you like the group's other work, you'll definitely want to pick this up, even though it may take awhile to grow on you. Just don't expect a revolution.
    • 79 Metascore
    • 80 Critic Score
    It's sort of a cross between the epic masterpieces of Perfect From Now On and the shorter, more pop songs of There's Nothing Wrong With Love. Basically, it's another winner from the group.