Alternative Press' Scores

  • Music
For 3,071 reviews, this publication has graded:
  • 64% higher than the average critic
  • 3% same as the average critic
  • 33% lower than the average critic
On average, this publication grades 0.5 points higher than other critics. (0-100 point scale)
Average Music review score: 73
Highest review score: 100 Major/Minor
Lowest review score: 0 Results May Vary
Score distribution:
3071 music reviews
    • 58 Metascore
    • 20 Critic Score
    The Pretty Reckless seems to have tried too hard to come across as outrageous. It's got every contrived reference possible along with clips of brainwashing television sermons and sound bites recreated from cheap porn. [Apr 2014, p.93]
    • Alternative Press
    • 63 Metascore
    • 20 Critic Score
    Painfully pretentious, plodding, self-indulgent drivel. [Jun 2003, p.97]
    • Alternative Press
    • 84 Metascore
    • 20 Critic Score
    In the end, Modern Vampires just seems to fade into a dull glow that will still be overshadowed by the band's explosive self-titled debut. [Jun 2013, p.102]
    • Alternative Press
    • 65 Metascore
    • 20 Critic Score
    Built off of two piano chords or a single guitar riff, Felix'a music is as ho-hum as their vocals, and without diversity in the songs' chord structure, the album blurs together until what's left is a coffee-table coaster. [Dec 2009, p.113]
    • Alternative Press
    • 41 Metascore
    • 20 Critic Score
    Crazy World is as phony as they come.
    • 72 Metascore
    • 20 Critic Score
    The contemporary-grunge and vintage New York-punk nods packaged here are unthreatening; singer Lillian Berlin's vocals are forgettable; and his lyrics remain more stupid than socially aware. [Dec 2005, p.214]
    • Alternative Press
    • 68 Metascore
    • 20 Critic Score
    The second album from the glorified solo project Babyshambles is a half-baked abortion. [Dec 2007, p.184]
    • Alternative Press
    • 63 Metascore
    • 20 Critic Score
    As singer-songwriters go, Barlow's not worthy to make a Starbucks run for Conor Oberst, Jim White, Joseph Arthur or Chris Carrabba. [Mar 2005, p.122]
    • Alternative Press
    • 50 Metascore
    • 20 Critic Score
    There's not much left for the Vines' frontman other than his music, which on Winning Days seems more like an afterthought--if not the work of an unbearably bad Oasis record. [Apr 2004, p.98]
    • Alternative Press
    • 60 Metascore
    • 20 Critic Score
    The lyrics on Folker make the tripe in Westerberg's early solo material... read like T.S. Eliot. [Oct 2004, p.144]
    • Alternative Press
    • 60 Metascore
    • 10 Critic Score
    The vocals are almost hilariously monotone, the lyrics loaded with crass, elementary rhymes, and the instrumentation is simply dreadful. [Jul 2014, p.98]
    • Alternative Press
    • 51 Metascore
    • 10 Critic Score
    Almost too stiff to be funny, this might have been a surreal payday in the boardrooms of Berlin, but one presumes the buck stops here. [May 2008, p.142]
    • Alternative Press
    • 71 Metascore
    • 10 Critic Score
    Our quality of life would instantly improve if this disc didn't exist. [Feb 2005, p.94]
    • Alternative Press
    • 44 Metascore
    • 10 Critic Score
    I'm listening to "Free And Freaky"--the third track on this new, horrible Stooges album and possibly the worst song ever written by anyone anywhere--and I can't believe you actually just rhymed "Obama" with "Dalai Lama" and "baby's mama." [Apr 2007, p.191]
    • Alternative Press
    • 33 Metascore
    • 0 Critic Score
    Forgettable to anybody with a soul. [Jan 2004, p.103]
    • Alternative Press