The release date really doesn't matter: this is an absolute stunner of an album from start to finish.

Glow is an epic achievement, an album that bolsters its disco-flecked gems with 80s funk, Euro synth-pop and chunky 90s house tropes.

All in all, an impressive album.

It finds the Welshman departing even further from his garage roots in favour of a more visceral warehouse sound.

This is a hot, sweaty but very beautiful dream of a record.

What you get here is more of the same star-crossed rave-pop.

Nick Weiss and Logan Takahashi's second coming finds the youngsters exploring a more symphonic sound.

Woman is a really good record and an accomplished, confident body of work, but it may leave those hankering for something with more venom feeling a little impatient.

It arguably only packs one real standout track, but Cellar Door is still a refined and fluid long-player.

The key, though, is that each track will slot effortlessly into their famously hypnotic live shows.

Laced with menace and atomically sonic, this second coming is nothing short of a masterclass in dark craft.

This album is something that any open-minded Mixmag reader could appreciate.

While 2010’s Compass--produced by Beck, and festooned with stellar guests--was about electronic folk and scuzzy pop, this new record’s got the funk.

Journeying and introspective, U pieces together a narrative that reflects on a past relationship; sculpting electronica, garage and piano together effortlessly.

Absolutely sterling work, very possibly the most consistent album yet from the duo, and not a star guest in sight.

On the whole, Sleep Of Reason is a stirring and cerebral venture into avant-soul.

Flashes of 80s electro sleaze, throwback house and glossy diva vocals all add to the fun.

His new LP feels like a return to the resonance of his earlier work.

Everything Everything hit their targets with aplomb.

The debut album from mysterious group Babyfather features bucketloads of frontman Dean Blunt’s devilish humour. But like all the best satire, it’s also steeped in grit and realness.

Its 13 tracks are more versatile in lyrical depth and vocal flow than before and, when added to his trademark intensity, are proof that Mykki's moved to the next level.

Steffi appears totally in control on an album that’s an important milestone in her career: mature, emotive and imbued with a hint of futurism, it’s a delight.

Undulating melodies, exquisite sparkling detail and a sense of vast space all add up to a blissful listening experience.

Bratten's sound is somewhere in-between classic Trentemøller and BOC's campfire melodies. By your third listen, you'll be hooked.

Like a warm embrace on an icy morning, the pair’s captivating harmonies come together effortlessly on debut album Silhouette.

An album that is as melancholic as is it banging.

Honey is an energetic and youthful love letter to Katy B’s clubbing roots.

Black Is Beautiful is nigh-on indescribable--in a very good way.