NOW Magazine's Scores

  • Music
For 2,812 reviews, this publication has graded:
  • 43% higher than the average critic
  • 2% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 6.9 points lower than other critics. (0-100 point scale)
Average Music review score: 66
Highest review score: 100 The Life Of Pablo
Lowest review score: 20 Testify
Score distribution:
2812 music reviews
    • 83 Metascore
    • 80 Critic Score
    The band’s sophomore effort is solid throughout, offering a heady mix of shimmering guitars, arty lyrics and creative rhythms that build on the work of romantic NYC indie bands like the National, the Walkmen and French Kicks.
    • 83 Metascore
    • 60 Critic Score
    Each song spills over with a breathless, unhinged vigour that impresses... But taken all together, the band's refusal ever to let up on volume, bombast, group-shouted vocals, fast-strummed chords or smashing drums makes Celebration Rock an exhausting sonic assault in need of variety.
    • 83 Metascore
    • 80 Critic Score
    The spacey, meandering jams flow effortlessly, bringing to mind sunny afternoons with an old lover and a big bag of weed. No, it’s not the kind of album that’ll change the world, but it might just be the perfect summer soundtrack of the year.
    • 83 Metascore
    • 80 Critic Score
    Y Dydd Olaf’s beautifully layered sounds and rhythms convey a tightly conceived sonic world full of endless ideas, even if you can’t understand the lyrics.
    • 83 Metascore
    • 60 Critic Score
    If David Browne's Sonic Youth bio was to be believed, Swans, who emerged from the same noise-filled no wave scene in New York's early 80s as Thurston Moore, had a rotating cast of nasty-tempered psychotic rockers, with multi-instrumentalist Michael Gira at its centre. Listening to Swans' new album, the first in 14 years, you get the sense that some of that malevolence remains.
    • 83 Metascore
    • 80 Critic Score
    I have seen Esco­vedo’s future, and its sound is rock ’n’ roll.
    • 83 Metascore
    • 80 Critic Score
    Prima Donna bristles with paranoia, anxiety, depression and anger about racism, violence, the music industry and his own psychological state. Loco distills all that. Staples's vicious, suicidal fever dream sees him alluding to Van Gogh's mental illness and dropping references to The Great Gatsby and James Joyce.
    • 83 Metascore
    • 60 Critic Score
    Old
    Throughout, his rhymes hit the mark, whether he’s painting a bleak picture of the Detroit streets, battling his own demons (loneliness, molly, more molly) or rapping at length about drug-dealing without glorifying it Rick Ross-style.
    • 83 Metascore
    • 80 Critic Score
    There’s no better way to describe the music than impeccably Superchunky.
    • 83 Metascore
    • 80 Critic Score
    Hospice isn’t uplifting or hopeful; it explores themes of dejection through delicate, beautiful sounds.
    • 83 Metascore
    • 80 Critic Score
    If anything, the grooves have gotten tougher and funkier on Game Theory.
    • 83 Metascore
    • 80 Critic Score
    These are slow, sad ballads brilliantly executed.
    • 83 Metascore
    • 60 Critic Score
    This is one of his best albums in many years, although that's not exactly a ringing endorsement.
    • 83 Metascore
    • 60 Critic Score
    Thankfully, there are just enough flashes of brilliance to save it, even if much of the album comes across as a really expensive demo.
    • 83 Metascore
    • 70 Critic Score
    Love may not be a full-on revolutionary take on the Beatles catalogue, but it does bring back some of the most awesome material ever to come out of a recording studio.
    • 83 Metascore
    • 100 Critic Score
    On this trippier, more scattered collection, it emerges in the looming calm, the open moments that peek through pneumatic melodies, beatific, druggy vocals and that throbbing, omnipresent kick.
    • 83 Metascore
    • 80 Critic Score
    It's indie rock that actually rocks. From Brooklyn no less.
    • 83 Metascore
    • 80 Critic Score
    All the trademarks are here, filtered through frontman's Dylan Baldi's snappy power pop talents.
    • 83 Metascore
    • 60 Critic Score
    Each woman's distinct singing and songwriting style is front and centre, but their voices blend beautifully.
    • 83 Metascore
    • 80 Critic Score
    At worst the album gets a bit too cutesy (lead single Frankie Sinatra), but its unrelentingly cheery harmonies and melodies are so effervescent that it practically makes the air sparkle.
    • 83 Metascore
    • 80 Critic Score
    It's that classic Beastie Boys sound, and a reminder why they've set the gold standard for posse rap.
    • 83 Metascore
    • 80 Critic Score
    Young Fathers' alarm at being boxed in has led them to make an uncompromising, and, yes, prize-worthy pop statement.
    • 83 Metascore
    • 60 Critic Score
    Lots of bands pillage from the pop music canon; few do it with the aplomb of the Horrors.
    • 83 Metascore
    • 80 Critic Score
    If neither the lyrics nor bass lines break your heart, you might not have one.
    • 83 Metascore
    • 80 Critic Score
    Williams gives her songs more room to breathe than ever before, opening up vast, cinematic visions of the highway and land that inspired them.
    • 83 Metascore
    • 80 Critic Score
    Wine Dark Sea is a brilliantly track-listed album, stronger as a whole than broken into parts.
    • 83 Metascore
    • 80 Critic Score
    Lyrically, Beyondless is occupied with notions of excess, from the endless cycle of war, to switching one dependency for another, to indulgence and appetite. It works because the band fundamentally thrives in extremes.
    • 83 Metascore
    • 90 Critic Score
    These are explosive epics that don't get tired, tied together in an album that's both instantly accessible and grows on you over time.
    • 83 Metascore
    • 80 Critic Score
    Cave drops brilliantly funny lines throughout, and his enthusiasm for this project is palpable.
    • 83 Metascore
    • 60 Critic Score
    Working with a forward-looking crew of producers, musicians and writers, including Madlib, the Roots, Sa-Ra Creative Partners and Karriem Riggins, was a wise move; they do a decent job on the funky New Amerykah, a throwback to the black power sound and consciousness-raising themes of the 70s.