Q Magazine's Scores
- Music
For 8,545 reviews, this publication has graded:
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42% higher than the average critic
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3% same as the average critic
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55% lower than the average critic
On average, this publication grades 5.7 points lower than other critics.
(0-100 point scale)
Average Music review score: 67
Highest review score: | A Hero's Death | |
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Lowest review score: | Gemstones |
Score distribution:
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Positive: 4,112 out of 8545
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Mixed: 4,355 out of 8545
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Negative: 78 out of 8545
8545
music
reviews
- By Date
- By Critic Score
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- Q Magazine
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- Critic Score
A moribund collection of ragged but never rugged songs. [Jan 2004, p.114]- Q Magazine
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- Q Magazine
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- Critic Score
Suffers from the same faults as previous efforts: limp tunes, pompous guitar solos and an overhwlming sense of "Will this do?" [Sep 2003, p.98]- Q Magazine
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- Critic Score
Most disappointing of all... is the drab nature of Ryder's contribution: slurred, incoherent, and largely based around drug stories and lots of swearing. [Aug 2003, p.103]- Q Magazine
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- Critic Score
They wouldn't be totally awful if Client A could actually sing. [Oct 2003, p.103]- Q Magazine
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- Critic Score
There are so many idiotically composed adverts between tracks, you wonder if you haven't tuned into a local radio station by accident. [Sep 2003, p.99]- Q Magazine
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- Q Magazine
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- Critic Score
Another dollop of rock sludge with a remarkably honest title. [Aug 2003, p.115]- Q Magazine
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- Critic Score
This debut has her trilling like Mariah Carey on fluffy R&B tunes. [Oct 2003, p.103]- Q Magazine
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- Q Magazine
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- Q Magazine
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- Critic Score
A numbing montage of half-formed ideas and too-slick production. [Jul 2003, p.100]- Q Magazine
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- Critic Score
So ill-conceived and shoddily executed it could well finish them off altogether. [Feb 2003, p.102]- Q Magazine
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- Critic Score
Middle-age is no excuse for such an unforgivably bland collection of over-emoted love songs. [Dec 2002, p.102]- Q Magazine
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- Critic Score
The drab orchestrations offer tepid schmaltz, not romance. [Dec 2002, p.112]- Q Magazine
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- Critic Score
Singer Jay Gordon spends much of the record predictably preening his way through third-hand Bowie and third-rate Simon LeBon impressions while the band labour on a set of half-baked electro-metal...- Q Magazine
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