Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.7 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 79 Metascore
    • 60 Critic Score
    Days Are Gone is a pretty impregnable collection of songs, their alloy of golden Fleetwood Mac melodies and liquid R&B polished to a reflective shine. [Oct 2013, p.103]
    • Q Magazine
    • 79 Metascore
    • 60 Critic Score
    There's a calculation to much of what's on offer here that undercuts all the other advancements. [#361, p.116]
    • Q Magazine
    • 79 Metascore
    • 60 Critic Score
    There are moments when it becomes a bit Baltic Eurovision, but Okovi is as tender as it is tough. [Oct 2017, p.111]
    • Q Magazine
    • 79 Metascore
    • 60 Critic Score
    Footwork newcomers might want to test their stamina with one of Planet Mu's excellent Bangs & works compilations first. [Jun 2012, p.114]
    • Q Magazine
    • 79 Metascore
    • 60 Critic Score
    Anyone who wants a bold new direction from Jeff Tweedy may find Sukierae disappointing. [Oct 2014, p.120]
    • Q Magazine
    • 79 Metascore
    • 40 Critic Score
    Sad to say, The List is an overly polite, lifeless collection of tried and trusted country standards apparently recommended as required listening by her father back in 1973. [Dec 2009, p. 126]
    • Q Magazine
    • 79 Metascore
    • 60 Critic Score
    Previously, their appeal was an alien fusion of ferocious single-mindedness and forbidding complexity. Here, Battles often struggle to sound strange enough. [July 2011, p. 107]
    • Q Magazine
    • 79 Metascore
    • 60 Critic Score
    The ambition is still there. [Jun 2016, p.114]
    • Q Magazine
    • 79 Metascore
    • 60 Critic Score
    An album that seeks to pull you under from the off and that, by and large, succeeds. [Jan 2017, p.112]
    • Q Magazine
    • 79 Metascore
    • 60 Critic Score
    You have to salute Jaar's ambitious, freewheeling approach, but a little more cohesion would've sealed it. [Dec 2016, p.109]
    • Q Magazine
    • 79 Metascore
    • 60 Critic Score
    Entertaining though these tracks are, it's hard not to wish that he could ignore the buzzing irritations of not being universally adored, all the time, forever, and concentrate on the big picture. [Mar 2009, p.90]
    • Q Magazine
    • 79 Metascore
    • 60 Critic Score
    Despite some strong material, the relentless gloom gets a little wearing well before the end. [Nov 2016, p.113]
    • Q Magazine
    • 79 Metascore
    • 60 Critic Score
    Graduation is mercifully skit-free, but it still feels insubstantial to West. [Oct 2007, p.95]
    • Q Magazine
    • 79 Metascore
    • 60 Critic Score
    These songs aren't as charcoal-stark as her earlier solo work, but the aura of breathy acid-folk enchantment can leave the feeling there is too much atmospheric smoke, not enough revelatory mirror. [Aug 2015, p.104]
    • Q Magazine
    • 79 Metascore
    • 60 Critic Score
    Their weak spots (feyness, smugness, shallowness) remain. [Nov 2003, p.104]
    • Q Magazine
    • 79 Metascore
    • 60 Critic Score
    There's little revelatory, but it's another fine record to add to their cannon. [Oct 2009, p.119]
    • Q Magazine
    • 79 Metascore
    • 60 Critic Score
    It may do little to make non-believers go his way, but Get Up! sizzles with intent from the off. [Mar 2013, p.102]
    • Q Magazine
    • 79 Metascore
    • 60 Critic Score
    Sometimes, these stresses and strains seem to swallow her dreamy synth-pop whole, but there's at least a striking EP's worth here. [Aug 2017, p.108]
    • Q Magazine
    • 79 Metascore
    • 60 Critic Score
    The winter to Johnson's eternal summer. [Jul 2012, p.95]
    • Q Magazine
    • 79 Metascore
    • 60 Critic Score
    She's A Witch's tumbling harmonies, the tessellating grooves of Dark Star and Bushe's surrealist lyrical skew help cast a dazed spell. [Jul 2015, p.106]
    • Q Magazine
    • 79 Metascore
    • 60 Critic Score
    Their stance is still refreshingly at odds with the mainstream. [Oct 2009, p.105]
    • Q Magazine
    • 79 Metascore
    • 60 Critic Score
    An album that's as entrancing as it is modestly proportioned. [June 2002, p.121]
    • Q Magazine
    • 79 Metascore
    • 40 Critic Score
    There's something rather pinched and prescribed about this weirdness.
    • 79 Metascore
    • 60 Critic Score
    Kozelek's sparse, haunting delivery can render even the basest material achingly affecting...
    • 79 Metascore
    • 60 Critic Score
    It's an album that will send you to sleep, and to dreams of another dimension. [Jul 2016, p.114]
    • Q Magazine
    • 79 Metascore
    • 40 Critic Score
    It's by no means awful; it's just as if Nirvana had recorded 12 versions of Territorial Pissings for Nevermind. [Apr 2014, p.105]
    • Q Magazine
    • 79 Metascore
    • 60 Critic Score
    For the most part, the duo's fourth full-length curbs their indulgent tendencies. [Jun 2011, p.114]
    • Q Magazine
    • 79 Metascore
    • 60 Critic Score
    Impressive but so unblinkingly stern. [Oct 2013, p.101]
    • Q Magazine
    • 79 Metascore
    • 60 Critic Score
    'Scare Easy,' the single, and 'Bootleg Flyer,' reminiscent of Petty's classic 'American Girl,' are the standouts on this collection of rough and ragged, feel-good country-rock. [July 2008, p.107]
    • Q Magazine
    • 79 Metascore
    • 40 Critic Score
    While there's throat-shredding fervour, it becomes a crazily overextended blur of goofy anthemics. [Sep 2015, p.117]
    • Q Magazine