Modern Streets may lack ingenuity, but it works as a sincere and relatable portrayal of the artist's experience.

All That Must Be is a smooth journey from start to finish, but it too often feels familiar. In spite of a new cast of collaborators, little about the LP improves on its predecessor. What sounded unique from FitzGerald three years ago isn't quite as satisfying this time around.

Repeat listens don't reveal any deeper logic to its tracklist, which remains a collection of intriguing ideas and not much more.

The jolt you get from Tiger & Wood's best work is missing. Perhaps the songs are too ornate, or maybe they're too similar to so much other retro-themed club fodder. Tiger & Woods haven't lost their spark, but their music shines less brightly than before.

Rather than an earth-shattering opus, Dream A Garden is a stepping stone to a new sound, one with enough promising moments to suggest it's only a matter of time before Latham gets there.

The mood of each piece sticks to a narrow range between quietly brooding and vaguely anthemic. But it's not only business as usual for Rival Consoles. In small pockets and slight gestures, distinctive traits emerge from West's symphonic electronics.

The forms are extraordinary and the surfaces dazzling, but it's unclear how to navigate through them. You're impressed but also confused, and you keep an eye out for the exit. Several tracks shine regardless.

Gou's DJ-Kicks, though filled with some stretches of sleek club music, struggles to find an overall thread to hold it together. The personal angle is not enough. Each of these tunes may hold a special significance in Gou's life. But to the listener, they don't quite reveal the story.

Ghost Culture is a good record from an artist who is probably capable of a great one.

Cunningham focuses primarily on selection for his hour-long jaunt through murky technoisms. All too often, though, technique and sequencing seem to have been banned from the booth.

The title track dates back to last year, and it makes a great case for SOPHIE as a Top 40 pop producer.... On the other three songs, it sounds like singer and producer are still learning how to work together.

Burn Slow isn't the most original or exciting work. But it's a thoughtful and personal album that allows Liebing to move beyond his techno reputation with grace.

The melodies have their usual childlike playfulness, but not the haunting quality that's lent them so much mystery and depth in the past.

Overall, little of This Behavior has the mystery or subtlety of touch suggested by the gloved magician's hands on the cover. Rather, this is ADULT. showing their iron fist, and not every punch lands.

Ψ cleverly returns to the skewed body music on patten's first album, which nearly offsets the tangle of blurred gestures and garbled theorizing.

There are few surprises here, but much of it is enjoyable.

As things stand, there's a sense that somewhere along the line Nordström lost the capacity to self-edit. ... Nordström is mad for attempting this project, but even in partial failure Dusk To Dawn is among the more ambitious dance albums ever dreamt up.

With enough listens, you'll even catch yourself humming its melodies, but the ideas come close to feeling generic.

Fabriclive 100 is without a doubt an inspired effort, an ambitious and highly creative attempt at capturing its selectors' musical lineage. But it's also a bit of a mess. It feels like the wild second-to-last draft of a creative project.