Super producer Ross Robinson has been given the unenviable task of bottling lightning, and he's certainly earned his money this time round; from Jonathan Davis' tortured, primal yelps to the pounding drums and a bass sound that ebbs and flows violently through your extremities.

Clocking in at just under an hour across 14 songs, about 12 of which could easily be singles, Technology is engaging, fun and an early contender for album of the year, plus the album of this band’s career.

While achingly sincere rock bands aren’t hard to come by these days, Fatherson have more than enough melodic nous to get listeners invested.

To hear a band with such obvious and deep passion playing unencumbered and liberated rock music is an utterly captivating experience that Rock Sound would thoroughly recommend. Holding nothing back sounds exactly like this, everyone else please take note.

So is it any good? Does it matter? Limp Bizkit are bigger than ever before so getcha groove on, stop taking things seriously.

Nothing groundbreaking, but sure to keep fans of the band happy.

There is a welcome confidence throughout The Latest Fashion that Attack! Attack! have not previously shown and it's likely to propel this lot to great things.

Commercially-driven producers or not, though, the band have a knack for keeping their sound current and contemporary –- while still being reminiscent of their early material.

If you're checking out their fifth album to discover groundbreaking, controversial new music, you are a strange individual indeed.

Overall, If Not Now, When? is the sound of Incubus coming of age. It's not particularly experimental nor is it completely straightforward but it is concise and a risk that's paid off.

They're no longer a phenomenon; instead, Sum 41 have continued to mature into a rather good band.