The Independent on Sunday (UK)'s Scores

  • Music
For 789 reviews, this publication has graded:
  • 57% higher than the average critic
  • 3% same as the average critic
  • 40% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Music review score: 71
Highest review score: 100 One Day I'm Going To Soar
Lowest review score: 20 Last Night on Earth
Score distribution:
  1. Negative: 14 out of 789
789 music reviews
    • 60 Metascore
    • 80 Critic Score
    This is an artist with taste and opinions of her own, not just a schedule and a fanbase to satisfy.
    • 60 Metascore
    • 80 Critic Score
    There is nothing not to love about it.
    • 59 Metascore
    • 100 Critic Score
    The eighth Marilyn Manson album features some of his finest lyrics yet and, musically, it often approaches the heyday of Holy Wood and Mechanical Animals.
    • 59 Metascore
    • 80 Critic Score
    It's on close personal terms with magnificence.
    • 59 Metascore
    • 70 Critic Score
    This has more bounce and sees Lovefoxxx & co close to their best.
    • 58 Metascore
    • 70 Critic Score
    What matters is that the I Monster team have cooked up a production that matches our expectations of a League LP.
    • 58 Metascore
    • 70 Critic Score
    The result is not, however, a revolution in his sound but a refinement.
    • 58 Metascore
    • 80 Critic Score
    The constant here is Arthur’s voice: genuinely soulful and able to switch from MC to Marvin at the flick of a falsetto.
    • 57 Metascore
    • 70 Critic Score
    They unapologetically rip into this album with a pulsating and mangled electro-pop opener called "D-Day", and rarely, if ever, lapse into giving people a poor photocopy of Parallel Lines.
    • 56 Metascore
    • 80 Critic Score
    This is an instantly engaging showcase of the 23-year-old Aussie’s talents--poppy without diluting her fierce-flowing charisma.
    • 56 Metascore
    • 70 Critic Score
    From dancefloor tracks such as "Shake It" to a lover's rock vibe on "Only Thing Missing Was You", Franti has made an eclectic, conscious album
    • 55 Metascore
    • 80 Critic Score
    It's deeply engrossing and rings resoundingly with cultural and historical truth.
    • 55 Metascore
    • 80 Critic Score
    "Yes You Do", a 1950s rock'n'roll love song updated for the synth age, is the standout track, but "Bassline" is the most typical.
    • 52 Metascore
    • 80 Critic Score
    This is an album that deserves at least to reacquaint the Ting Tings with the outskirts of Somewheresville.