The Independent (UK)'s Scores
- Music
For 2,194 reviews, this publication has graded:
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47% higher than the average critic
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4% same as the average critic
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49% lower than the average critic
On average, this publication grades 3 points lower than other critics.
(0-100 point scale)
Average Music review score: 70
Highest review score: | Hit Me Hard and Soft | |
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Lowest review score: | Donda |
Score distribution:
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Positive: 1,177 out of 2194
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Mixed: 988 out of 2194
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Negative: 29 out of 2194
2194
music
reviews
- By Date
- By Critic Score
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- Critic Score
Ultimately, Dry Cleaning start to sound like a one-song idea dragged out over two albums. A slog.- The Independent (UK)
- Posted Oct 21, 2022
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- Critic Score
The narratives are dependably punchy through this record, and they’re carried by solidly danceable Eighties and Nineties club beats. Not an original sound, then. But one that allows her more challenging or subversive thoughts to slide slyly into a night out on the town.- The Independent (UK)
- Posted Oct 13, 2022
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- Critic Score
The eight tracks of Cool It Down (a real mission statement of a title) make for a quasi-gothic synth record that beefs up the Eighties revivalism of the past decade... even as it leaves behind the yelping dynamism of their youth for a more considered and placid middle-age.- The Independent (UK)
- Posted Sep 29, 2022
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It feels uncomfortable for me to point out that there aren’t a lot of tunes on this record. This stuff has to come out the way it wants. It’s hardly singalong material. It is – necessarily – heavy. But it also fulfils Mumford’s intention, learnt from Beyoncé, he says, to leave us with hope.- The Independent (UK)
- Posted Sep 16, 2022
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Emotional echoes of this complicated public history reverberate through Jude’s solid collection of mature mid-tempo rockers and ballads. ... Lennon’s production is clean, steely and a little claustrophobic.- The Independent (UK)
- Posted Sep 8, 2022
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The record is more fun than the lyrics suggest. Watt’s production flirts with Muse’s epic grandeur and the anthemic metal of a Red Rocks Oasis. ... But by the time he’s rhyming “asphyxiation, masturbation, degradation” on the Hawkins co-write “Degradation Rules” – the second Iommi appearance – things are getting a little ridiculous, and at over an hour the record drags.- The Independent (UK)
- Posted Sep 8, 2022
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Three of the record’s 11 – eleven – incongruous covers, seemingly selected by lobbing darts at a Spotify genre cloud, involve Beck showcasing his sub-Dave Gilmour, cruise ship guitar work by playing the vocal lines on instrumental takes of Davy Spillane’s “Midnight Walker” and a couple of Beach Boys tunes. When Depp gets involved things often, somehow, get worse.- The Independent (UK)
- Posted Jul 19, 2022
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The synth-pop duo were hardly upbeat to begin with, but this is downright miserable. ... Still, it’s not all hopeless – at least the music is good.- The Independent (UK)
- Posted May 6, 2022
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- The Independent (UK)
- Posted Apr 7, 2022
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- Critic Score
Chlöe and the Next 20th Century is another shocking left-turn from indie-rock’s chief provocateur: a charming (huh?!), innocuous (gasp!) sojourn into lovely baroque-pop.- The Independent (UK)
- Posted Apr 7, 2022
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Jack White’s new solo album Fear of the Dawn is basically one long jam session. Which is fine, if that’s what makes him happy. For the rest of us, it’s a bit of a slog.- The Independent (UK)
- Posted Apr 4, 2022
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- Critic Score
It’s safely on-brand. It’s just smoother, and slower, and sloppier than before.- The Independent (UK)
- Posted Apr 1, 2022
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The riffs throughout this album are catchy enough to keep the beanie heads nodding along. But producer Travis Barker (Blink 182) repeatedly fills out the sound to the extent that the exposing angularity required to express true anxiety is lost.- The Independent (UK)
- Posted Mar 25, 2022
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Sweet and frothy. Probably still a little coffee shop. But not Starbucks, more the soundtrack to your local quirky independent caffeinator.- The Independent (UK)
- Posted Mar 11, 2022
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- The Independent (UK)
- Posted Feb 24, 2022
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- Critic Score
It’s crafted to slot neatly into the 6 Music playlist. Smart and friendly. Tasteful and tuneful. Just a little unsurprising.- The Independent (UK)
- Posted Feb 17, 2022
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- Critic Score
MØ crafts consistently cool grooves but nothing that makes her stand out from the crowd.- The Independent (UK)
- Posted Jan 27, 2022
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If Scenic Drive sets out to be an easy-listening accompaniment to a late-night ride, it’s successful. But if you’re looking for something with more clarity and oomph, your car horn may be the better option.- The Independent (UK)
- Posted Jan 3, 2022
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While there are high points – many of them, surprisingly, found in their Unlocked iteration – the album fails to leave an impression in the same way as the singer’s previous releases. You’ll like it, for sure. But you may not remember it.- The Independent (UK)
- Posted Dec 10, 2021
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- Critic Score
This isn’t so much a barnstormer of an album as a reassuringly earthy rock-out among the hay bales.- The Independent (UK)
- Posted Dec 9, 2021
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This is by no means an easy record to fathom, but it does show – even after so many years – you’ll never catch Albarn resting on his laurels.- The Independent (UK)
- Posted Nov 11, 2021
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- Critic Score
He avoids turning the songs on this album into as much of a box-ticking exercise as they felt on earlier records, managing to weave influences in with a little more flair.- The Independent (UK)
- Posted Oct 28, 2021
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There are a couple of stunning vocal performances. Rina Sawayama sings like a galleon in full sail on the big, bold ballad “Chosen Family”. ... Grim moments include Young Thug’s sleazy sex rap on “I Will Always Love You.” ... In the middle ground are a few hummable collaborations (“Learn to Fly” with Surfaces, “Finish Line” with Stevie Wonder).- The Independent (UK)
- Posted Oct 21, 2021
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Music of The Spheres isn't Coldplay at their Viva la Vida finest, even if their undeniably upbeat attitude remains hard to resist. The Pythagoreans believed that music purified the soul. This album offers a more superficial spiritual shower. A fleeting invigoration.- The Independent (UK)
- Posted Oct 14, 2021
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At times this [spent two years sitting with these songs] makes for a more considered output; other songs run the risk of overthinking themselves.- The Independent (UK)
- Posted Oct 7, 2021
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Drum machine led “Swan Song” is the album’s most inventive and surprising song, proving that the creator of “Tusk” has still got his knack for innovation and creating a daring pop hook. While the weakest tracks here tend to veer into self-pity.- The Independent (UK)
- Posted Sep 16, 2021
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This record doesn’t find the often-brilliant Musgraves on her sharpest, Dolly Parton-est form. She delivers more platitudes than usual; her melodic shifts often lack their tangier twists. But the sadness and everydayness of her breakup does breathe slowly and honestly through the songs.- The Independent (UK)
- Posted Sep 9, 2021
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Certified Lover Boy’s greatest crime is just how bland and boring it is. There’s very little here that Drake has not done better or more emphatically elsewhere; his album is deprived of any kind of experimentation or insight. He rose to the top baring his soul. Now it feels like there’s no soul to bare.- The Independent (UK)
- Posted Sep 4, 2021
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It’s an album that sounds very little like their last, and in that sense – despite its myriad reference points – The Ultra Vivid Lament is a Manic Street Preachers record, through and through.- The Independent (UK)
- Posted Sep 2, 2021
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Saturday Night, Sunday Morning is a cohesive enough follow-up, but Bugg still seems conflicted about the sound that first propelled him into the spotlight. ... It rankles when this album was put together by a team best known for the music he claims to despise.- The Independent (UK)
- Posted Aug 20, 2021
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