The Independent (UK)'s Scores
- Music
For 2,192 reviews, this publication has graded:
-
47% higher than the average critic
-
4% same as the average critic
-
49% lower than the average critic
On average, this publication grades 3 points lower than other critics.
(0-100 point scale)
Average Music review score: 70
Highest review score: | Radical Optimism | |
---|---|---|
Lowest review score: | Donda |
Score distribution:
-
Positive: 1,175 out of 2192
-
Mixed: 988 out of 2192
-
Negative: 29 out of 2192
2192
music
reviews
-
- Critic Score
Augmenting her folksy troubadour style with Latin percussion and an acappella group for that streetcorner-symphony flavour, she effectively expands the notion of Americana to accommodate another cultural strain alongside the usual blues and country influences.- The Independent (UK)
- Posted Mar 8, 2017
- Read full review
-
- Critic Score
With Konnichiwa, Skepta hoists grime to another level. It’s not just a case of his lyrical prowess, which goes some way deeper than most of his peers; it’s the way that he has fiercely retained control over his own destiny, overseeing everything from mastering to merchandise through the Boy Better Know collective.- The Independent (UK)
- Posted May 11, 2016
- Read full review
-
- Critic Score
It's on "Early Roman Kings" that the various strains come together most effectively, with Hidalgo's organ added to another Muddy Waters blues-stomp groove, and Dylan blurring history again in his depiction of the titular Romans "in their sharkskin suits, bowties and buttons, with their high-top shoes" – neatly underlining the gangsterism of imperial invaders of all eras.- The Independent (UK)
- Posted Sep 7, 2012
- Read full review
-
- Critic Score
Played entirely by Shauf save for the lush string arrangements, it’s a baroque-pop exercise with echoes of Seventies smarties like Harry Nilsson, Randy Newman and Steely Dan, though rather more empathetic than them. And less cynical.- The Independent (UK)
- Posted May 18, 2016
- Read full review
-
- Critic Score
On Blunderbuss, he's stumbled into some nasty business. These are songs of ruthless temptresses and treacherous men, of uncontrollable desire and unbearable guilt.- The Independent (UK)
- Posted Apr 20, 2012
- Read full review
-
- Critic Score
The result is an album of rare beauty and intelligence, rendered in imaginative arrangements containing sometimes startling harmonies.- The Independent (UK)
- Posted Jun 15, 2016
- Read full review
-
- Critic Score
On their third album Mommy, their blistering garage punk is finessed, their songwriting, sharp and sardonic.- The Independent (UK)
- Posted Aug 25, 2023
- Read full review
-
- Critic Score
NAO has hovered around a near-perfect brand of sultry, neo-soul-inflected R&B. Four years later, and she seems to have mastered it.- The Independent (UK)
- Posted Oct 26, 2018
- Read full review
-
- The Independent (UK)
- Posted Apr 21, 2017
- Read full review
-
- Critic Score
The wonderful Wildflower is cause for celebration, its Zappa/Beasties-style collage of voices, samples, beats, sounds, and especially laughter offering a joyous affirmation of life.- The Independent (UK)
- Posted Jul 7, 2016
- Read full review
-
- Critic Score
Sadly, this is about as deep as their politics go on Hot Sauce Committee Part Two, the more articulate sentiments of To the 5 Boroughs having been largely abandoned in favour of fairly standard bring-the-noise, boast'n'diss hip-hop pablum.- The Independent (UK)
- Posted Apr 29, 2011
- Read full review
-
- The Independent (UK)
- Posted Jul 20, 2012
- Read full review
-
- Critic Score
Ry Cooder’s long investigation of the permutations of the blues and possibilities of justice comes to rest here in the religious balm which remains inseparable from American music.- The Independent (UK)
- Posted May 9, 2018
- Read full review
-
- Critic Score
Yes, it’s all cheesy as a vat of fondue. But it’s also a lot of fun.- The Independent (UK)
- Posted Nov 19, 2021
- Read full review
-
- Critic Score
At times, it feels as though the polite, considered Rodrigo could push ideas, emotions and melodies a little further than she does. ... But this is an incredibly impressive debut from a singer who’s only just learning to stretch her wings.- The Independent (UK)
- Posted May 21, 2021
- Read full review
-
- Critic Score
Whether The Horrors will willingly pursue that same trajectory to its logical conclusion seems doubtful, but for now Skying finds them breaking free of old bindings, eyes set on the wild blue yonder.- The Independent (UK)
- Posted Jul 8, 2011
- Read full review
-
- Critic Score
[Lucinda Williams is] producing enough quality material to follow last year’s double-album Down Where the Spirit Meets the Bone with another double-album of equivalent potency. The songs on The Ghosts of Highway 20 have the unerring ring of truth about them, shining glimmers of light into dark and unpalatable corners of life.- The Independent (UK)
- Posted Jan 22, 2016
- Read full review
-
- Critic Score
The raging country-punk counterblast “Country” unleashes her disgust at the country establishment’s backward attitude towards women. Elsewhere, her sympathies remain firmly with the downtrodden and desperate, as in her straight-talking depiction of teen pressures faced in “High School”, a bruised parade of class clowns and cheerleaders, pep pills and pregnancy.- The Independent (UK)
- Posted Apr 19, 2017
- Read full review
-
- Critic Score
It’s fortunate that Jones chose to hold on to these songs – they form one of the most intriguing records she’s released in years.- The Independent (UK)
- Posted Jun 9, 2020
- Read full review
-
- Critic Score
Despite the record’s immersive qualities, the overwhelming effect is as satisfying as a plaster being ripped right off.- The Independent (UK)
- Posted Mar 4, 2022
- Read full review
-
- Critic Score
The 13 songs on Blue Water Road roll out in warm, slow-rolling waves of sensuous R&B.- The Independent (UK)
- Posted Apr 28, 2022
- Read full review
-
- Critic Score
Soul Time! is a near-perfect expression of retro-soul style that grips from its opening bars.- The Independent (UK)
- Posted Nov 14, 2011
- Read full review
-
- Critic Score
Night Network isn’t a bad album, but it's not a particularly memorable one, either.- The Independent (UK)
- Posted Nov 20, 2020
- Read full review
-
- Critic Score
Centralia is by far the most satisfying release to date by the Brooklyn-based minimalist post-rock duo Mountains.- The Independent (UK)
- Posted Jan 18, 2013
- Read full review
-
- Critic Score
It’s as though she’s thrown a jumble of ideas up in the air without thinking too much about where they land. At times, this means her sixth record feels refreshingly free and at others a little too sketchy. But it’ll still make her fans think, sigh, shrug and smirk.- The Independent (UK)
- Posted Feb 3, 2022
- Read full review
-
- Critic Score
His barnacled baritone steers a steady course through Moog-soaked covers of favourite songs, with sombre lines about dark oceans, soulless days, and skirting a skeleton coast.- The Independent (UK)
- Posted Apr 22, 2021
- Read full review
-
- Critic Score
Todd Snider has the kind of audience rapport that comes only through years of one-night stands and the confidence that builds in one's character – even if that character is of an inveterate ne'er-do-well peacenik, wryly proud of his inability to grow old gracefully.- The Independent (UK)
- Posted Mar 1, 2011
- Read full review
-
- The Independent (UK)
- Posted May 5, 2016
- Read full review
-
- Critic Score
All told, it’s a magnificent, career-defining set, full of hard-won wisdom, assertive independence--and compassion in abundance.- The Independent (UK)
- Posted Sep 26, 2014
- Read full review
-
- Critic Score
This 30th-anniversary performance of the album at Glasgow’s Barrowlands doesn’t convey quite the sense of risk that accompanied their early shows, but the cocktail of noise and melody has largely retained its potency.- The Independent (UK)
- Posted Aug 4, 2015
- Read full review