For 2,073 reviews, this publication has graded:
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55% higher than the average critic
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4% same as the average critic
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41% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Music review score: 71
Highest review score: | Live in Europe 1967: Best of the Bootleg, Vol. 1 | |
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Lowest review score: | Shatner Claus: The Christmas Album |
Score distribution:
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Positive: 1,595 out of 2073
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Mixed: 443 out of 2073
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Negative: 35 out of 2073
2073
music
reviews
- By Date
- By Critic Score
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- Critic Score
On this excerpt of the suite’s overture, “New Orleans: The National Culture Park USA 1718,” you hear the deep focus in their [Anthony Davis and Smith's] rapport; it’s an accurate reflection of the mood sustained throughout the work.- The New York Times
- Posted Nov 22, 2016
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- Critic Score
Her return is lucid and uncluttered, placing all the expressiveness of her voice at its center.- The New York Times
- Posted Nov 10, 2016
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- Critic Score
His excellent full-length debut album, Big Baby D.R.A.M., is joyous, clever and moves in surprising directions.- The New York Times
- Posted Nov 2, 2016
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- Critic Score
[Producer Rob Schnapf has] recentered the band’s urgency from its head-rush musical intensity to Mr. Johnson’s voice, which is clearer and more melodically driven than before. The songs have more structure, too.- The New York Times
- Posted Oct 12, 2016
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13 has enough ominous tension to justify numerical superstitions. In fact, you could do worse than to make this album a cornerstone of your Halloween soundtrack this year.- The New York Times
- Posted Oct 5, 2016
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Tumult and desperation ignite the music on Revolution Radio. It’s the group’s first batch of new songs since “Uno! Dos! Tré!,” the three-disc surfeit of more straightforward tunes released in 2012. Those songs were built around snappy catchphrases and brisk, punky riffs. Green Day’s new ones aren’t so easily summed up, but they can roar through their contradictions.- The New York Times
- Posted Oct 5, 2016
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The results are, in many places, as ethereally and lustrously beautiful as the best Bon Iver material but more removed. ... Because this album travels in so many directions, there are places where Mr. Vernon sounds unanchored, and where his reluctance gives way to lack of commitment. His naïveté has always been carefully studied, but sometimes here, especially in the middle of the album, it feels just vague.- The New York Times
- Posted Sep 28, 2016
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Persuasively moody. ... More than anything, it seems the simple byproduct of strong personalities enjoying the process of finding common ground.- The New York Times
- Posted Sep 21, 2016
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While Hard II Love doesn’t include a song as cathartic as Usher’s “Climax,” from 2012, it’s full of smaller satisfactions.- The New York Times
- Posted Sep 16, 2016
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The music toys with nostalgia, with the reassuring dependability of structure and instrumental arrangements.- The New York Times
- Posted Sep 1, 2016
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Blonde is dewy, radiant and easeful, with an approach to incantatory soul that evolves moment to moment. It’s feverish but unhurried, a slowly smoldering set that’s emphatic about loneliness.- The New York Times
- Posted Aug 22, 2016
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On some level his songs are all age-old tales, but put together in his own exacting way, which makes them new.- The New York Times
- Posted Aug 17, 2016
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Rae Sremmurd is particularly well-suited to the carnival sounds of its debut, but in many places here feels as if it’s getting squelched.- The New York Times
- Posted Aug 11, 2016
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The Bird & the Rifle is her 10th studio album in 17 years, and her most finely focused.- The New York Times
- Posted Aug 10, 2016
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More often than not, Mr. Marley lives up to the ambition that his last name demands of him. With any luck, his next album will have fewer guests and more of the introspection and steadfastness he reveals in “It’s Alright,” a hymnlike ballad that he sings on his own.- The New York Times
- Posted Jul 27, 2016
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- The New York Times
- Posted Jul 14, 2016
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There’s something knowing and clever, but never gratingly so, in the way she’s balancing ideas of newness and collective memory.- The New York Times
- Posted Jul 6, 2016
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It’s a vivid album about how the appeal of street life is just as powerful, if not more so, than the appeal of a shot at real fame.- The New York Times
- Posted Jun 29, 2016
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Still Brazy is an artisanal, proletarian Los Angeles gangster rap record, less tribute to the sound’s golden age than a full-throated and wholly absorbed recitation.- The New York Times
- Posted Jun 16, 2016
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Many of her songs seem ready-made for some kind of theatrical adaptation. They’re authentically dramatic, built on the swells of brass and strings and percussion, which might suddenly disappear behind some new peak of melody or meaning sung by Ms. Mvula.- The New York Times
- Posted Jun 15, 2016
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It doesn’t sound exactly like classic-vintage Chili Peppers, but it might just sound like how you remember them.- The New York Times
- Posted Jun 15, 2016
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The record feels short, which might be a good thing: She leaves you guessing what she’s up to.- The New York Times
- Posted Jun 9, 2016
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Several tracks feature Mr. Toussaint alone at the piano, and they’re reminders of the regional traditions he elegantly upheld.- The New York Times
- Posted Jun 8, 2016
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Even though structurally Strange Little Birds evokes the band’s early work, it’s clear there’s mellowness afoot.- The New York Times
- Posted Jun 8, 2016
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Mr. Dolenz sings as if there’s no reason to take anything too seriously. Fifty years later, the Monkees are still endearing.- The New York Times
- Posted May 25, 2016
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- The New York Times
- Posted May 25, 2016
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On the jubilant, nourishing Coloring Book, his third solo release, has blossomed into a crusader and a pop savant, coming as close as anyone has to eradicating the walls between the sacred and the secular.- The New York Times
- Posted May 18, 2016
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Grim tidings arrive amid gorgeous backdrops ... The results often hark back to the late 1960s; in a way, "A Moon Shaped Pool" is Radiohead’s psych-folk album.- The New York Times
- Posted May 8, 2016
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[Will] may be Ms. Barwick’s most conventionally light, soothing record, and is sometimes a little inert as a result.- The New York Times
- Posted May 4, 2016
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Overall, Views contains Drake’s most straightforward lyrics, and his emotional excavations aren’t as striking as they were a few years ago, when they had the sting of the new to them.- The New York Times
- Posted Apr 29, 2016
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