The Source's Scores
- Music
For 61 reviews, this publication has graded:
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67% higher than the average critic
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6% same as the average critic
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27% lower than the average critic
On average, this publication grades 0.9 points higher than other critics.
(0-100 point scale)
Average Music review score: 74
Score distribution:
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Positive: 48 out of 61
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Mixed: 13 out of 61
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Negative: 0 out of 61
61
music
reviews
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- Critic Score
GO:OD AM is the most transparent music Mac Miller has ever made and in doing so he has created a sonically cohesive and impressive album.- The Source
- Posted Oct 20, 2015
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- Critic Score
Overall, Odd Future's shock value rap style comes across less intense on this project. [#252, p.89]- The Source
Posted Aug 22, 2012 -
- Critic Score
Although it fails to live up to the internet created hype, its highs outweigh its lows making it an impressive body of work especially if it was made in just six days.- The Source
- Posted Oct 20, 2015
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- Critic Score
Slaughterhouse's debut album has plenty of cuts that should satisfy their old fans and at least a few that should attract new ones. [#255, p.96]- The Source
Posted Oct 25, 2012 -
- Critic Score
While the rappers who also contribute to the album aren't out of place, the journey you take with Snoop and Pharrell feels a bit over capacity with their addition. [Jun-Jul 2015, p.88]- The Source
Posted Aug 4, 2015 -
- Critic Score
Meek surpasses expectations of his own personal Dreams and Nightmares with a youthful appeal, especially for today's misconstrued generation. [Dec 2012/Jan 2013, p.88]- The Source
Posted Dec 12, 2012 -
- Critic Score
From start to finish, this album is a great look at what G.O.O.D. Music has to offer. [No. 225, p.95]- The Source
Posted Oct 25, 2012 -
- Critic Score
While there might be a few missteps her and there--particularly in the strength of some of the verses--most of the album works really well. [Nov 2013, p.93]- The Source
Posted Nov 26, 2013 -
- Critic Score
Jesus Piece is a complete and compelling body of work compiled of consistent MCing and a diverse sonic palette. [Feb-Mar 2013, p.87]- The Source
Posted Feb 21, 2013 -
- Critic Score
Even witg a few cuts off the mark, Free's latest effort bares plenty of reaffirming examples as to why the Philadelphia rhymeslinger's place amongst rap's elite is written in stone. [Dec 2012/Jan 2013, p.89]- The Source
Posted Dec 12, 2012 -
- Critic Score
Despite everything he did right on this album, there are a few blemishes. [Jul 2013, p.88]- The Source
Posted Jul 2, 2013 -
- Critic Score
Because The Internet stands on its own musically. The project undoubtedly stands much taller when put in context of all the additional material released in order to create something bigger. [Dec 2013/Jan 2014, p.89]- The Source
Posted Jan 8, 2014 -
- Critic Score
By combining the deep-bass beats and fast-spitting rhymes of Trap Muzik with mature, more-to-the-story rhymes, Tip finds himself back in the limelight. [Feb-Mar 2013, p.89]- The Source
Posted Feb 21, 2013 -
- The Source
Posted Oct 20, 2015 -
- Critic Score
Fortunately for listeners, DZA comes through solid again. [Apr/May 2014, p.85]- The Source
Posted Apr 21, 2014 -
- Critic Score
Nicki's shining moments are her straight-up, hip-hop tracks. [#252, p.87]- The Source
Posted Aug 22, 2012 -
- Critic Score
Despite lackluster showings on the title track, and the anti-climactic first two verses of "Picasso Baby," a track presence that has stood the test of time for almost two decades eventually shines though. The second half of the aforementioned "Picasso Baby" shows off Jay-Z at his peak. [Sep 2013, p.97]- The Source
Posted Dec 19, 2013 -
- Critic Score
In comparison to his past two albums, Cudi has grown the furthest from his purest hip-hop roots on Indicud, successfully carving out his own space using fundamental tools of hip-hop. [Jul 2013, p.91]- The Source
Posted Jul 2, 2013