The Telegraph (UK)'s Scores
- Music
For 1,217 reviews, this publication has graded:
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63% higher than the average critic
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4% same as the average critic
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33% lower than the average critic
On average, this publication grades 3.9 points higher than other critics.
(0-100 point scale)
Average Music review score: 77
Highest review score: | Deeper Well | |
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Lowest review score: | Killer Sounds |
Score distribution:
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Positive: 866 out of 1217
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Mixed: 349 out of 1217
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Negative: 2 out of 1217
1217
music
reviews
- By Date
- By Critic Score
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- Critic Score
Ultimately, this is a brilliant record about clearing out the emotional crap and stripping things back to their essence – the perfect soundtrack to lull us out of our collective wintering and into some mental spring cleaning.- The Telegraph (UK)
- Posted Mar 15, 2024
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- Critic Score
Everything I Thought I Was is certainly not the career defining masterwork Timberlake seems to think it is, but nevertheless it’s enough to get him over that mid-life bump.- The Telegraph (UK)
- Posted Mar 15, 2024
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- Critic Score
Eternal Sunshine is pop at its sexiest – 13 songs designed to lodge themselves in your head for eternity, whether you like it or not.- The Telegraph (UK)
- Posted Mar 7, 2024
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- Critic Score
You don’t have to be greater than the sum of your parts when the parts are already as great as this.- The Telegraph (UK)
- Posted Mar 1, 2024
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- Critic Score
11 songs of such staggering clarity that I found myself breathing a sigh of relief halfway through that bands like this still exist in Britain.- The Telegraph (UK)
- Posted Mar 1, 2024
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- Critic Score
Lopez’s voice is technically fine but has a thinness that doesn’t really suit the exposure of digitally clinical modern production settings. She jettisons all Latin flavouring, which might have been her superpower.- The Telegraph (UK)
- Posted Feb 16, 2024
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- Critic Score
Coming Home is a hugely impressive reminder of Usher's pop skills, and another testament to the enduring appeal of high class RnB.- The Telegraph (UK)
- Posted Feb 9, 2024
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- The Telegraph (UK)
- Posted Feb 2, 2024
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- Critic Score
Wall of Eyes comprises just eight tracks but it’s far from slight. String arrangements by the London Contemporary Orchestra add a lush cinematic quality to the album.- The Telegraph (UK)
- Posted Jan 26, 2024
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- Critic Score
Little Rope is undoubtedly Sleater-Kinney’s most commercial album yet. Crusader, in particular, brings to mind the palatable grunginess of No Doubt, and lead single Say It Like You Mean It – with a video starring Succession’s J Smith-Cameron – echoes WH Auden’s Funeral Blues.- The Telegraph (UK)
- Posted Jan 19, 2024
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- Critic Score
Even at its most ambitious, everything is swept up in a blizzard of overcharged guitars and stylised snarling that would have sounded old-fashioned in 1981, let alone 2024.- The Telegraph (UK)
- Posted Jan 19, 2024
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- Critic Score
If you simply want to revel in the elemental pleasures of sleek, clever, catchy songs played with rough vigour by a band who love to rock, then the Vaccines deliver their usual payload. .... They lack the boldness of the bands that most influenced their sound (The Ramones, Jesus and the Mary Chain) or the flair and ambition of others still flying the pop-rock flag (The Killers, Arctic Monkeys, The Libertines). On this evidence, The Vaccines are approaching their expiry date.- The Telegraph (UK)
- Posted Jan 12, 2024
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- Critic Score
The mix of trap grooves and synth balladry is perfectly of the moment, lacking the boldness of a truly original talent. Yet there is something appealing in the sweet melodies and sour attitude of a singer who sounds like she might actually be starting to enjoy herself.- The Telegraph (UK)
- Posted Dec 8, 2023
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- Critic Score
This ranks with the very best of Gabriel’s work, which means it is very great indeed. Peter Gabriel is a genius. i/o is a masterpiece. That is all ye need know.- The Telegraph (UK)
- Posted Dec 1, 2023
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Nine originals interspersed with the overfamiliar classics indicate a songwriter’s fascination with rock form, but only I Want You Back (sung with Steven Tyler) justifies its position nestled between so many inarguable classics.- The Telegraph (UK)
- Posted Nov 17, 2023
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PinkPantheress’s pop gift is to make something airily attractive out of elements that could be brain melting, as if singing with the internal voice of a generation numbed by the everything goes-ness of the internet.- The Telegraph (UK)
- Posted Nov 10, 2023
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- Critic Score
Everybody sounds like they’re having fun, and listeners of a certain vintage probably will too. But it adds little of interest to Morrison’s incredible canon, which from Blowin’ Your Mind in 1967 to Irish Heartbeat in 1988 ranks with the greatest popular music ever made.- The Telegraph (UK)
- Posted Nov 3, 2023
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- Critic Score
There are lovely instrumental passages, lustrous strings, and it has all been crafted with love and care, but it doesn’t hit the heights we expect from a great Beatles ballad, ending up sounding like a poor imitation of genius, the kind of soft rock whimsy you’d find on thousands of second-rate Beatle influenced albums in the Seventies.- The Telegraph (UK)
- Posted Nov 2, 2023
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- Critic Score
Swift’s remake is astonishing in its exactitude, another reminder that she is a star of a different magnitude with a mastery of her own talents and a bold business acumen. .... All of the new songs are satisfyingly deft and clever, replete with sinuous melodies, burbling synths and agitated percussion that correspond with the updated eighties stylings of the original. .... The one new song that really punches its weight with Swift’s original 1989 singles is the razor sharp Is It Over Now?- The Telegraph (UK)
- Posted Oct 26, 2023
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- Critic Score
She hits the mark with stripped-back Room Service, but the more mainstream, hook-laden numbers Antichrist and Into Your Room don’t measure up to her earlier anthems Scarlett and The Wall is Way Too Thin.- The Telegraph (UK)
- Posted Oct 13, 2023
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- Critic Score
The new Rolling Stones album is the best thing they have made since their Seventies glory days. Which, it might reasonably be argued, de facto makes it the best rock’n’ roll album of the past four decades at least.- The Telegraph (UK)
- Posted Oct 6, 2023
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- Critic Score
This is an album that underlines the greatness of Dark Side, rather than challenges it.- The Telegraph (UK)
- Posted Oct 5, 2023
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- Critic Score
Sheeran sounds like a supercharged David Gray. Grown-up. Energised. Forget Autumn, this feels like an album of bright new dawns.- The Telegraph (UK)
- Posted Sep 28, 2023
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- The Telegraph (UK)
- Posted Sep 22, 2023
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- Critic Score
Relentless might just be one of the most thrilling things you’ll hear all year. It’s a slow-burning triumph, its 12 tracks oscillating between squalling and shimmering rockers and richly-realised ballads thanks in large part to Hynde’s masterly co-writer and guitarist James Walbourne.- The Telegraph (UK)
- Posted Sep 15, 2023
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- The Telegraph (UK)
- Posted Sep 15, 2023
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- Critic Score
There are plenty of artists who make music occupying the same space as Mitski – reflective, weepy, introspective – but she stands alone in her lyricism and heart; on this album, she also seems less frightened by the potential fruits of her own talent.- The Telegraph (UK)
- Posted Sep 15, 2023
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- Critic Score
There are a few tracks that could be spicier (Envy the Leaves, At Your Worst), but overall, Silence Between Songs seems like the album Beer has been wanting – and waiting – to make for a long, long time.- The Telegraph (UK)
- Posted Sep 15, 2023
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The album is peppered with playful uses of samples. It’s deeply sophisticated music – an astute melting pot of genres bound together by the latest production techniques.- The Telegraph (UK)
- Posted Sep 14, 2023
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- Critic Score
Unfortunately, most of Guts sounds like a simple continuation of Sour – there is little musical growth or thematic change, with Making the Bed and Pretty Isn’t Pretty seeming like mere overhangs from her debut- The Telegraph (UK)
- Posted Sep 8, 2023
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