Uncut's Scores

  • Music
For 11,100 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.1 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
11100 music reviews
    • 61 Metascore
    • 20 Critic Score
    Incompetent satire. [Apr 2003, p.106]
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    • 64 Metascore
    • 20 Critic Score
    Basic, sludge-grey power pop that makes Weezer sound as kaleidoscopic as The Flaming Lips. [Nov 2002, p.128]
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    • 65 Metascore
    • 20 Critic Score
    A sentimental indulgence destined for a theme-pub half-life. [Nov 2002, p.114]
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    • 65 Metascore
    • 20 Critic Score
    On her underwhelming second album, we realise how nu-sould would sound stripped of all sonic invention, mischief and sensuality. [Dec 2002, p.151]
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    • 50 Metascore
    • 20 Critic Score
    Squire's voice is awful, while his music and lyrics are those of a busker. [Nov 2002, p.113]
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    • 59 Metascore
    • 30 Critic Score
    What makes B&S great is conspicuous by its absence.... For completists only. [Jul 2002, p.101]
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    • 60 Metascore
    • 30 Critic Score
    Much of this flaccid digi-guitar funk sounds like rough ideas Daft Punk rejected for Discovery. [Jun 2002, p.122]
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    • 61 Metascore
    • 30 Critic Score
    Chiefly consists of lumpen and joyless AOR rock, with a few rhythm loops to give an illusion of modernity. [Apr 2002, p.104]
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    • 69 Metascore
    • 20 Critic Score
    The rhymes are gangsta shit at its laziest and most drearily noxious. [Mar 2002, p.111]
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    • 51 Metascore
    • 30 Critic Score
    Starts badly and gets worse for a very long time (77 minutes). [Jan 2002, p.146]
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    • 73 Metascore
    • 20 Critic Score
    He still sounds like a blue-collar phoney trying to be a poor man's Springsteen. [May 2002, p.104]
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    • 73 Metascore
    • 30 Critic Score
    Toxicity is virtually unlistenable: thrash metal splintered into a million pieces by unnecessary time changes, topped off with excruciatingly theatrical vocals. [Dec 2001, p.118]
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