Uncut's Scores

  • Music
For 11,100 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.1 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
11100 music reviews
    • 81 Metascore
    • 80 Critic Score
    There's a clear path being charted, expanding the grammar of R&B into the heart of the modern-day mainstream. [Oct 2023, p.34]
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    • 76 Metascore
    • 70 Critic Score
    Another dazzling yet soulless smorgasbord of bold, modern pop composition that mixes the latest AI with more old-school contributions from Lee Renaldo and Jim O'Rourke. [Nov 2023, p.31]
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    • 99 Metascore
    • 80 Critic Score
    This deluxe set showcases the vital rush and wildness that Stinson brought to the band for the last time. [Nov 2023, p.36]
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    • 82 Metascore
    • 80 Critic Score
    An album from a band that still sound truly individual. [Oct 2023, p.25]
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    • 87 Metascore
    • 80 Critic Score
    The music reflects this stark, witty chronicle of precarious modern living with a queasy tableau of churning beats, one minute harsh and industrial, the next lush and dreamy. [Nov 2023, p.25]
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    • 74 Metascore
    • 70 Critic Score
    V
    These four numbered tracks fall closer to dance music, although Föllakzoid's hallmarks - a lysergic dreaminess, tethered by a constant, hypnotic propulsion - remains intact. [Nov 2023, p.28]
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    • 82 Metascore
    • 90 Critic Score
    Cousin is deliciously weird and intoxicatingly angular, but it still sounds like a Wilco album. [Oct 2023, p.24]
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    • 77 Metascore
    • 90 Critic Score
    Even better [than Time Skiffs]: consistently inventive rather than merely quirky, it makes sincere effort to get to the emotional core of what they do. [Nov 2023, p.25]
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    • 86 Metascore
    • 80 Critic Score
    The album is tethered by Roberts' spoken-word poetry. [Oct 2023, p.33]
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    • 84 Metascore
    • 90 Critic Score
    Together, the North Carolina instrumental trio revel in heady improvisatory zones. .... There's no lead voice here, just three musicians moving as one. [Nov 2023, p.32]
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    • 84 Metascore
    • 80 Critic Score
    Best of all might be the ecstatic, heavily orchestrated astral-jazz freak-out of "thank You God". [Oct 2023, p.23]
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    • 80 Metascore
    • 70 Critic Score
    Halo is occasionally guilty of tasteful conservatory restraint, but overall this is a richly, immersive headphones experience, a haunted sonic mansion of many chambers. [Nov 2023, p.29]
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    • 77 Metascore
    • 70 Critic Score
    Cobb recorded the record at Macon's legendary Capricorn Sound with Georgian musicians, and it sounds it. [Oct 2023, p.27]
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    • 74 Metascore
    • 80 Critic Score
    The antic hippie of Banhart's early work is long gone on this depressed but not despairing record, warmed by the melancholy, spacy hush of his voice over drifting synths and the bass's heartbeat pulse. [Oct 2023, p.25]
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    • 81 Metascore
    • 80 Critic Score
    [Endless Arcade's] follow-up is even more impressive, the five-piece creating an organic song cycle largely concerned with the roll of time hope's eternal promise and an unerring sense of where their natural strengths lie. [Oct 2023, p.34]
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    • 69 Metascore
    • 70 Critic Score
    The teenage tyrants of "Girls From Mars" fame may now be chasing the tail-end of their forties, but they've lost little of that youthful vigour. [Nov 2023, p.25]
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    • 81 Metascore
    • 70 Critic Score
    Overall the vibe is more celebration than confrontation, but there's still room for the odd reassuring freakout. [Nov 2023, p.29]
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    • 93 Metascore
    • 90 Critic Score
    From the moment you heard her with Our Native Daughters, you knew it was only a matter of time before she made her album for the ages. The Returner is that album. [Oct 2023, p.27]
    • 79 Metascore
    • 70 Critic Score
    Weird but oddly wonderful. [Oct 2023, p.37]
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    • 84 Metascore
    • 80 Critic Score
    The result is a varied, disjointed, entirely unpredictable yet utterly singular record. [Oct 2023, p.29]
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    • 77 Metascore
    • 90 Critic Score
    It's a dozen of his finest compositions reworked as bluegrass tunes, and it's magnificent. [Oct 2023, p.31]
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    • 87 Metascore
    • 80 Critic Score
    The self-produced LP captures the energy and sentiment of a veteran bar band tearing it up in some Jersey Shore dive - meaning they're very much in their element on this timeless record. [Nov 2023, p.31]
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    • 77 Metascore
    • 70 Critic Score
    As ever, OCMS manage the deft balance of embracing tradition without lapsing into curatorial piousness or zany pastiche. [Nov 2023, p.31]
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    • 79 Metascore
    • 70 Critic Score
    The fourth album from Speedy Ortiz crackles with typically furious energy - but there's a deftness which makes the band's polemics as fun to listen to as they are powerful. [Nov 2023, p.33]
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    • 82 Metascore
    • 70 Critic Score
    It pitches up somewhere between devotional music, modern classical and shoegaze and plays as a set piece, though the powerful ebb and flow of "Skel" stands out. [Nov 2023, p.32]
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    • 90 Metascore
    • 80 Critic Score
    There's not a weak moment here, though the aforementioned "I Don't Like My Mind" and "The Deal", with its sudden percussive tumult, shine brightest. [Nov 2023, p.31]
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    • 86 Metascore
    • 80 Critic Score
    An expansive, soulful set that embraces modern West Coast fusion, Hancock-style funk, , psychedelic soul-jazz and more. [Nov 2023, p.26]
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    • 80 Metascore
    • 80 Critic Score
    Despite a perennial weakness for soppy whimpering, Blake always delivers spine-tingling jewel-box beauty. [Nov 2023, p.25]
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    • 84 Metascore
    • 80 Critic Score
    This is an album about distortion, not just of traditional folk instruments but of the emotions - grief and rage and bewilderment - that he experiences as a black trans person in America. [Oct 2023, p.23]
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    • 80 Metascore
    • 70 Critic Score
    The abundance of dreamy, placid wonders like "Between The Past" and the instrumental "White Wonder Melody" doesn't entirely negate one's longing for more of the ferocious, Ira Kaplan-worthy shredding that fills the final moments of "Another Dream" or other touches that add a wobblier, woozier feel to the proceedings. [Oct 2023, p.37]
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